American cinematographer (Jan-Dec 1956)

METRO-GOLDWYN-MAYER • Fred Jackman, Jr., “Julie,” (Arwin Prods, for MGM release) with Doris Day, Louis Jourdan, Barry Sullivan and Frank Lovejoy. Andrew Stone, director. • Robert Bronner, “The Opposite Sex,” (CinemaScope & Color) with June Allyson and Jeff Richards. Dave Miller, director. • Robert Surtees, ASC, “Raintree County,” (65mm and Color) with Montgomery Clift and Elizabeth Taylor. Edward Dmytryk, director. • John Alton, “Tea and Sympathy,” with Deborah Kerr and John Kerr. Vincente Min¬ nelli, director. • Russell Harlan, ASC, “Teahouse of the August Moon,” (Color; CinemaScope) (shoot¬ ing in Japan) with Marlon Brando and Glenn Ford. Daniel Mann, director. • Fred A. Young, ASC, “The Barretts of Wimpole Street,” (CinemaScope & Color) (shooting in England) with Jennifer Jones and Sir John Gielgud. Sidney Franklin, director. • Joseph Brun, ASC, “A Man Is Ten Feet Tall,” (Jonathan Prod., shooting in New York City) with John Cassavetes and Kathleen Maguire. Martin Ritt, director. • George Folsey, ASC, “The Power and the Prize,” with Robert Taylor, Burl Ives and Elisabeth Mueller. Henry Koster, director. MOTION PICTURE CENTER • Robert De Grasse, ASC, “Make Room for Daddy,” TV, (Desilu Prod.) with Danny Thomas, Jean Hagen and Sherry Jackson. Sheldon Leonard, director. • Sid Hickox, ASC, “The Red Skelton Show,” TV, (Desilu Prod.) with Red Skelton. C. Burns, director. • Nick Musuraca, ASC, “The Line Up,” TV, (Desilu Prod.) with Warren Andersen. H. Morse, director. PARAMOUNT • Charles Lang, ASC, “Gunfight at the O K Corral,” (VistaVision & Technicolor) with Burt Lancaster, Kirk Douglas, John Ireland and Jo Van Fleet. John Sturges, director. • Loyal Griggs, ASC, “The Maverick,” (Vis¬ taVision & Technicolor) with Charlton Hes¬ ton, Anne Baxter and Gilbert Roland. Rudy Mate, director. • Ernest Laszlo, ASC, “The Loves of Omar Khayyam,” (Technicolor; VistaVision) with Charlton Heston, Anne Baxter and Gilbert Roland. William Dieterle, director. • Lionel Lindon, ASC, “The Lonely Man,” (Technicolor; VistaVision) with Jack Palance and Elaine Aiken. Henry Levin, director. • Ray June, ASC, “Funny Face,” (Techni¬ color; VistaVision) with Audrey Hepburn and Fred Astaire. Stanley Donen, director. • Daniel Fapp, ASC, “Hollywood or Bust,” (Technicolor; VistaVision) with Dean Mar¬ tin, Jerry Lewis and Pat Crowley. Frank Tashlin, director. REPUBLIC STUDIOS • Ed Colman, ASC, “Dragnet,” TV, (Mark VII Prod.) with Jack Webb. Jack Webb, director. e John MacBurnie, ASC, “The Millionaire,” TV with John Larch. Sobey Martin, director. • Reggie Lanning, “Alfred Hitchcock Pre¬ sents,” TV. Robert Stevenson, director. • Dan Clark, ASC, “Do You Trust Your Wife,” TV, (Don Monya Co.) with Edgar Bergen. Jim Morgan, director. RKO • Joseph Biroc, ASC, “Tension at Table Rock,” with Richard Egan, Dorothy Malone and Cameron Mitchell. Charles Marquis War¬ ren, director. • Georce Diskant, ASC, “Stage Seven, Hall of Stars,” TV, (Four Star Prods.). • William Mellor, ASC, “Back From Eter¬ nity,” with Robert Ryan and Anita Ekberg. John Farrow, producer-director. • William Snyder, ASC, “Beyond a Rea¬ sonable Doubt,” with Dana Andrews and Joan Fontaine. Fritz Lang, director. • Ray Fernstrom, ASC, “Return to Eter¬ nity.” (Air Scenes.) John Farrow, director. HAL ROACH STUDIOS • Lucien Andriot, ASC, “The Life of Riley,” TV, with William Bendix. Abby Berlin, direc¬ tor. • Paul Ivano, “Stories of John Nesbitt,” TV, with John Nesbitt. Various directors. • Jack Mackenzie, ASC, “Code 3,” TV. Ted Post and Paul Landers, directors; “Frontier,” TV (Tomoda Prod.). Various directors. 20TH CENTURY FOX • Milton Krasner, ASC, “Bus Stop,” (Cine¬ maScope & Color) with Marilyn Monroe, Don Murray and Arthur O’Connell. Joshua Lo¬ gan, director. • Leo Tover, ASC. “The Day the Century Ended,” (CinemaScope & Color) with Rob¬ ert Wagner. Richard Fleischer, director. • Wilfred Cline, ASC, “The Last Wagon,” (DeLuxe Color; CinemaScope) (shooting at Sedona, Ariz. ) with Richard Widmark and Tommy Rettig. Delmar Daves, director. SPLICES STICK WITH available in l-oz.,8-oz.,16-oz. bottles THE KALART COMPANY, INC. Plainville, Conn. • Joe Macdonald, ASC, “One in a Million,” (DeLuxe Color; CinemaScope) with James Mason and Barbara Rush. Nicholas Ray, director. • Leon Shamroy, ASC, “Best Things in Life Are Free,” (Technicolor; CinemaScope) with Gordon MacRae and Sheree North. Michael Curtiz, director. UNIVERSAL INTERNATIONAL • Russell Metty, ASC, “Battle Hymn,” (CinemaScope) with Rock Hudson. Douglas Sirk, d irector. • Ellis Carter, ASC, “The Mole People,” with John Agar and Cynthia Patrick. Virgil Vogel, director; Eastman Kodak commercial, TV. Jack Daniels, director. • Harold Lipstein, ASC, “The Great Man,” with Joseph Ferrer and Mona Freeman. Jose Ferrer, director. • George Robinson, ASC, “Gun for a Coward,” (Technicolor) with Fred MacMurray and Chill Wills. Abner Biberman, director. • Irving Glassberg, ASC, “Star Light,” (Technicolor; CinemaScope) with George Nader and Julie Adams. Jack Sher, director. • Arthur Arling, ASC, “Tammy,” (Techni¬ color: CinemaScope) with Debbie Reynolds and Leslie Nielsen. Joseph Pevney, director. • Maury Gertsman, ASC, “I’ve Been Here Before,” with Jock Mahoney and Leigh Snowden. Richard Bartlett, director; Colgate commercial, TV. Wil Cowan, director. • Jock Feindel, ASC, Marlboro commercial, TV. Wil Cowan, director. • Lester White, ASC, Marlboro commer¬ cial, TV, Wil Cowan, director; Pabst Blue Ribbon commerical, TV, Jack Daniels, direc¬ tor; Eastman Kodak commercial, TV, Jack Daniels, director. • Harold Lipstein, ASC, Marlboro commer¬ cial, TV. Wil Cowan, director. • Wilfrid Cline, ASC, Pepsi Cola commer¬ cial, TV, with Polly Bergen. Wil Cowan, director. WARNER BROS. • Hal Rosson, ASC, “Toward the Un¬ known,” (Warner-Color & CinemaScope) (Toluca Prods.) with William Holden, Lloyd Nolan, and Virginia Leith. Mervyn LeRoy, director. • Robert Burks, ASC, “The Wrong Man,” (Alfred Hitchcock Prod., shooting in New York City) with Henry Fonda and Vera Miles. Alfred Hitchcock, director. • Harold Stine, ASC, “Anthology Series,” TV. Don Weis, director; “Cheyenne,” TV, (Warner Bros. Presents) with Clint Walker. Richard Bare, director. • Carl Guthrie, ASC, “The Last Stop,” TV, with James Dunn and John Barrymore, Jr. Tom Greis, director. • Floyd Crosby, ASC, “The Old Man and the Sea,” (WarnerColor; wide-screen) (shoot¬ ing in Cuba) with Spencer Tracy. Fred Zimmermann, director. American Cinematographer May, 1956 321