American cinematographer (Jan-Dec 1956)

METRO-GOLDWYN-MAYER • Fred Jackman, Jr., “Julie,” (Arwin Prods, for MGM release) with Doris Day, Louis Jourdan, Barry Sullivan and Frank Lovejoy. Andrew Stone, director. • Robert Bronner, “The Opposite Sex,” (CinemaScope & Color) with June Allyson and Jeff Richards. Dave Miller, director. • Robert Surtees, ASC, “Raintree County,” (65mm and Color) with Montgomery Clift and Elizabeth Taylor. Edward Dmytryk, director. • John Alton, “Tea and Sympathy,” with Deborah Kerr and John Kerr. Vincente Min¬ nelli, director. • Russell Harlan, ASC, “Teahouse of the August Moon,” (Color; CinemaScope) (shoot¬ ing in Japan) with Marlon Brando and Glenn Ford. Daniel Mann, director. • Fred A. Young, ASC, “The Barretts of Wimpole Street,” (CinemaScope & Color) (shooting in England) with Jennifer Jones and Sir John Gielgud. Sidney Franklin, director. • Joseph Brun, ASC, “A Man Is Ten Feet Tall, ' (Jonathan Prod., shooting in New York City) with John Cassavetes and Kathleen Maguire. Martin Ritt, director. • George Folsey, ASC, “The Power and the Prize,” with Robert Taylor, Burl Ives and Elisabeth Mueller. Henry Koster, director. MOTION PICTURE CENTER • Nick Musuraca, ASC, “The Line Up,” TV, (Desilu Prod.) with Warren Andersen. H. Morse, director. PARAMOUNT • Charles Lang, ASC, “Gunfight at the 0 K Corral,” (VistaVision & Technicolor) with Burt Lancaster, Kirk Douglas, John Ireland and Jo Van Fleet. John Sturges, director. • Loyal Griggs. ASC, “Three Violent Peo¬ ple,” (VistaVision & Technicolor) with Charl¬ ton Heston, Anne Baxter and Gilbert Roland. Rudy Mate, director. • Ernest Laszlo, ASC, “The Loves of Omar Khayyam,” (Technicolor; VistaVision) with Charlton Heston. Anne Baxter and Gilbert Roland. William Dieterle, director. • Lionel Lindon, ASC, “The Lonely Man,” (Technicolor; VistaVision) with Jack Palance and Elaine Aiken. Henry Levin, director. • Daniel Fapp, ASC, “Hollywood or Bust,” (Technicolor; VistaVision) with Dean Mar¬ tin, Jerry Lewis and Pat Crowley. Frank Tashlin, director. • Sam Leavitt, ASC, “Flamenco,” (Vista¬ Vision and Color) (Being photographed in Spain.) Don Siegel, director. • Jack Warren, ASC, “Search for Bridey Murphy,’ (VistaVision) with Teresa Wright and Louis Hayward. Noel Langley, director. REPUBLIC STUDIOS • Ed Colman, ASC, “Dragnet,” TV, (Mark VII Prod.) with Jack Webb. Jack Webb, director. • Bud Thackery. ASC, “Frontier Doctor,” TV, (Studio City TV Prods.) with Rex Allen. William Witney, director. • John MacBurnie, ASC, "Crusader,” TV, (Revue Prods.) with Brian Keith. Pete Ad¬ rian, director; “Jane Wyman Show,” TV, ( Revue Prods.) with Jane Wyman. Sid Lanfield, director. • Herb Kirkpatrick, “The Millionaire." TV, ( Don Fedderson Prods, with Ruth Hussey. Sobey Martin, director. • Jock Feindel, ASC, Kellogg’s, Kaiser Aluminum, and Fuller Paint commercials. TV. Pete Adrian, director. RKO • George Diskant, ASC, “Stage Seven, Hall of Stars,” TV, (Four Star Prods.). • Paul Vogel. ASC, “Public Pigeon Number One, with Red Skelton and Vivian Blaine. Norman McLeod, director. HAL ROACH STUDIOS • Lucien Andriot, ASC, “The Life of Riley,” TV, with William Bendix. Abbv Berlin, direc¬ tor. • Paul Ivano, “Stories of John Nesbitt,” TV, with John Nesbitt. Various directors. • Jack Mackenzie, ASC, “Code 3,” TV. Va¬ rious directors. • Edward Fitzgerald. ASC, "The Charlie Farrell Show, TV, with Charles Farrell. Rod Amateau, director. SUNSET STAGE • I red West. ASC, Shaffer Pen commercial, TV, (5 Star Prod.) Chester Glassley, direc¬ tor. • Ray Fernstrom, ASC, Gem Razor com¬ mercial, TV. (5 Star Prod.) Chester Glassley. director. • Frank Tompkins. California Federal Sav¬ ings commercial. TV, (5 Star Prod.) Chester Glassley. director. 20TH CENTURY FOX • Milton Krasner. ASC. “Bus Stop,” (Cine¬ maScope & Color) with Marilyn Monroe, Don Murray and Arthur O’Connell. Joshua Lo¬ gan, director. • Wilfred Cline, ASC, “The Last Wagon,” (DeLuxe Color; CinemaScope) (shooting at Sedona. Ariz.) with Richard Widmark and Tommy Rettig. Delmar Daves, director. • Joe Macdonald, ASC, “One in a Million,” (DeLuxe Color; CinemaScope) with James Mason and Barbara Rush. Nicholas Ray, director. • Leon Shamroy, ASC, “Best Things in Life Are Free,’ (Technicolor; CinemaScope) with Gordon MacRae and Sheree North. Michael Curtiz, director. 600-FT. CONVERSION FOR AURICON CINE-VOICE Completely Installed — $295.00 All new conversion plus rebuilt 600-ft. magazine. Limited quantity GREAT LAKES MOTION PICTURE SERVICE 12037 Grand River Ave. • Detroit 4, Mich. • Leo Tover. ASC, "The Day The Century Ended,' (Technicolor; CinemaScope) with Robert Wagner and Terry Moore. Richard Fleischer, director. UNIVERSAL INTERNATIONAL • Russell Metty, ASC, “Battle Hymn,” (CinemaScope) with Rock Hudson. Douglas Sirk, director. • Ellis Carter, ASC, “The Mole People,” with John Agar and Cynthia Patrick. Virgil Vogel, director; Eastman Kodak commercial, TV. Jack Daniels, director. • Harold Lipstein, ASC, “The Great Man,” with Joseph Ferrer and Mona Freeman. Jose Ferrer, director. • George Robinson, ASC, “Gun for a Coward,” (Technicolor) with Fred MacMurray and Chill Wills. Abner Biberman, director. • Irving Glassberg, ASC, “Four Bright Girls” (Technicolor; CinemaScope) with George Nader and Julie Adams. Jack Sher, director. • Arthur Arling, ASC, “Tammy,” (Techni¬ color: CinemaScope) with Debbie Reynolds and Leslie Nielsen. Joseph Pevney, director. • Maury Gertsman, ASC, “I’ve Lived Before,” with Jock Mahoney and Leigh Snowden. Richard Bartlett, director; Colgate commercial, TV. Wil Cowan, director. • Bill Marculies. “Fort Laramie,” (Bel-Air Prod.) with John Dehner and Frances Helm. Lesley Selander, director. • Clifford Stine. ASC, “The Incredible Shrinking Man,” with Grant Williams and Randy Stuart. Jack Arnold, director. • Russel Metty, ASC. “Mister Cory,” with Tony Curtis and Martha Hyer. Blake Edwards, director. ® Ellis Carter. ASC, Colgate, Eastman Ko¬ dak, Budweiser, commercials, TV, Wil Cow¬ an, director. • Jock Feindel. ASC, Colgate, Eastman Kodak commercials, TV. Wil Cowan director. • Lester White. ASC, Eastman Kodak com¬ mercial. TV. Wil Cowan, director. © Charles Welborn, Prell commercial, TV. Wil Cowan, director. WARNER BROS. • Robert Burks, ASC, “The Wrong Man,” (Alfred Hitchcock Prod., shooting in New York City) with Henry Fonda and Vera Miles. Alfred Hitchcock, director. • Floyd Crosby, ASC, “The Old Man and the Sea,” (WarnerColor; wide-screen) (shoot¬ ing in Cuba) with Spencer Tracy. Fred Zimmermann, director. ® Ted McCord, ASC, “The Girl He Left Be¬ hind,” with Tab Hunter and Natalie Wood. David Butler, director. • Ray Fernstrom, ASC, “Warner Bros. Pre¬ sents. TV. with Clit Young. Gordon Douglas, director; Koenekamp Process Shots. Mervyn LeRoy, director. American Cinematographer June, 1956 381