American cinematographer (Jan-Dec 1957)

PHOTOGRAPHIC ASSIGNMENTS ( Continued From Page 296) Permits Continuous Run of 400 ft., 16mm Film Ideal for newsreel work, shooting wrestling matches, prizefights, football games, etc. 200 ft. daylight loading spool may be used in the 400 ft. magazine. 100 ft. spool can be used in the camera without removing external magazine. See your Bolex dealer or write for full information. Ask about our Rack-Over, Camera Base and Syn¬ chronous Motor. TOLEDO CINE ENGINEERING 1364 Mllbum Av>, _ Tol»4e 6, OfcU PROCESS YOUR OWH 16mm & 35mm FILM WATSON Portable Developing Outfit * Simple. Uniform, Economical and Speedy ! * Process up to 200 ft. (16-35 or 70mm film) . . . immediately! * Needs only 1 gal. of solution! * Stainless steel — tanks, reels, scratchproof loader! •Guaranteed — Prices from $89. FREE — Processing booklet and 104 pg., 59th Annual Photo Equip. Catalog — write Dept. A.C. BURKE & JAMES, INC 321 S. Wabash Chicago A, Illinois Automatic Daylight Processing DEVELOPING TANK • Processes up to 200 Ft. • 8mm1 6mm-35mm • Movie — X-Ray — Microfilm • Motor driven portable • Tough plastic tanks • Uniform Density Assured • 70mm taink also available FILM DRYER • Motor driven — Heated • Speedy drying • Automatic shrinkage allow ance • Stainless steel and aluminum construction • Easily assembled without tools • Compact, Portable Guaranteed. Write for Free Literature Micro Record Dept. AC 487 South Ave. Beacon, N.Y. • Floyd Crosby. ASC, “Ride Out for Re¬ venge,” (Bryna Prod, for UA release) with Rory Calhoun and Gloria Grahame. Barney Girard, director. • Charles Van Enger, ASC, “Bitter is the Ride,” ( Jackson-Weston Prod, for UA release) with Mark Stevens and Jana Davi. Mark Stevens, director. • Sam Leavitt, ASC, “Time Limit,” (Heath Prod, for UA release) with Richard Widmark and Dolores Michaels. Karl Malden, director. • Robert Krasker, “The Quiet American,” (Figaro Inc. for UA release; shooting in Rome) with Audie Murphy and Georgia Moll. J. L. Mankiewicz, producer-director. • Finn Bergan, “Cinemiracle Adventure,” (Louis de Rochemont Prod, for National Theatres release; shooting at Port-of-Spain, B.W.I.) with Lasse Kolstad and Sven Erick Libeck. Bill Colleran, director. • Guy Roe, ASC, Helen Curtis Spray Net commercial.* (Shooting in Honolulu.) Hooper White, director. Armour Meat commercial.* • Perry Finnerman, Signal Oil commercial* (Song Ad Prods.) Daven Monohan, director. • Hal Mohr, ASC, “Tonight In Cuba,” * (Cuba Prods, shooting in Habana, Cuba.) Fletcher Markle, director. KEYWEST STUDIOS • Walter Strenge, ASC, Series of religious pictures. Wm. Claxton, director; “Tom Mix” (pilot). Frank MacDonald, director. LINKLETTER PLAYHOUSE • Alan Stensvold, ASC, “People Are Funny,”* (Art Linkletter Prods.) with Art Linkletter. Irv Atkins, director. McGOWAN STUDIOS • Ray Foster, ASC, Star-Kist Tuna com¬ mercial.* Hank Ludwin, director. METRO-GOLDWYN-MAYER • Robert Surtees, ASC, “Les Girls,” (CinemaScope; Metrocolor) with Gene Kelly and Mitzi Gaynor, George Cukor, director. • John Alton, “Tip On a Dead Jockey,” with Robert Taylor and Dorothy Malone. Richard Thorpe, director. • Robert Bronner, ASC, “Don’t Go Near the Water,” (CinemaScope & Metrocolor) with Glenn Ford and Anna Kashfi. Charles Walters, director. • Joseph Ruttenberg, ASC, “Until They Sail,” with Jean Simmons, Joan Fontaine and Paul Newman. Robert Wise, director. MOTION PICTURE CENTER • Joe Novak, ASC, “Wire Service,”* (Desilu Prods.) with Dane Clark and George Brent. Various directors. • Nick Musuraca, ASC, “The Line Up”* (Desilu Prods.) with Warren Andersen. An¬ drew McLaglen and James Kern, directors. • Henry Cronjager, “Whirlybirds,”* (Desi¬ lu Prods.) with Kenneth Tobey and Craig Hill. Lee Sholem and Harve Foster, directors. • Hal Mcalpin, “When Hell Broke Loose,” (Dolworth Prods.) with Charles Bronson, Richard Jaekel and Violetta Rensing. Ken¬ neth G. Crane, director. PARAMOUNT • Loyal Griggs, ASC, “Sad Sack,” (VistaVision) with Jerry Lewis and Phyllis Kirk. George Marshall, director. • Haskell Boggs, “Teacher’s Pet,” (VistaVision) with Clark Gable and Doris Day. George Seaton, director. REPUBLIC STUDIOS • Jack Marta, “Last Stagecoach West,” (Ventura Prods.) with Jim Davis and Mary Castle. Joe Kane, director. “Back or Beyond, (Variety Pictures Prod.) with John Lupton and Gloria Talbot. Leslie Selendar, director. • John Russell, ASC, “Jane Wyman Thea¬ tre,” * (Lewman Prods.) with Jane Wyman. Sidney Lanfield, director; “General Electric Theatre,” * (Revue Prods.) with Ronald Rea¬ gan. Hershel Dougherty, director; “Alfred Hitchcock Presents,” * (Revue Prods.) Robert Stevens, director; “Schlitz Playhouse of Stars,”* (Revue Prods.) Jules Bricken, di¬ rector. • Lester White, ASC, “Schlitz Playhouse of Stars,”* (Revue Prods.) John Brahm, di¬ rector. • William Sickner, ASC, “On Trial,” * (Fordyce Prods.) with Joseph Cotton. Joseph Parker, director; “General Electric Theatre,”* (Revue Prods.) with Ronald Reagan. Jules Bricken, director; “The Millionaire,” * (Don Fedderson Prods.) Alfred Green, director; “Schlitz Playhouse of Stars,” * (Revue Prods.) John Brahm, director. • Ellis Thackery, ASC, “Wells Fargo,” * (Overland Prods, with Dale Robinson.) Lewis Foster, director. • Lester Shorr, ASC, “Alfred Htichcock Presents,” * (Revue Prods.) James Nilsen, director. • Gilbert Warrenton, ASC, “Marge & Gower Champion Show,” * (Revue Prods.) with Marge and Gower Champion. James Sheldon, director; “The Millionaire,” * (Don Fedderson Prods.) Gerald Mayer, director; “Wells Fargo,” * (Overland Prods.) with Dale Robinson. Sidney Salkow, director. • Lionel Lindon, ASC, “Jane Wyman Thea¬ tre,” * (Lewman Prods.) with Jane Wyman. Sidney Lanfield, director. “On Trial,” * (For¬ dyce Prods.) with Joseph Cotton. Harry Hor¬ ner, director; “Alfred Hitchcock Presents,”* (Revue Prods.) J. Addis, director. HAL ROACH STUDIOS • Paul Ivano, “Stories of John Nesbitt,”* with John Nesbitt. Various directors. • Lothrop Worth, ASC, “The Gale Storm Show,”* with Gale Storm and ZaSu Pitts. Wm. Seiter and Chas. Barton, directors. 330 American Cinematographer May, 1957