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Motion Picture Cameras
Part V
ALRICOIM CIIME-VOICE
HEAVY-DUTY 3-LENS turret that takes all “C" mount lenses is one of many professional features of the Auricon CineVoice II. Film capacity is 100-ft., takes regular daylight film loads.
This small, moderatepriced 16mm single-system sound camera has become an important tool for professional cinematographers.
For more than a decade, the name Auricon has been synonomous with 16mm single-system cameras. BerndtBach, Inc., makers of the Auricons, stands virtually alone in its respective field. For there are no other 16mm sound cameras on the market, here or abroad, that com¬ pare with the Auricon in its ability to deliver consistently good results in the production of single-system sound films. Actually, there are no other 16mm single-system sound cameras presently being manufactured in the U.S.
The Auricon line of cameras consists of the Cine-Voice, the Pro-600 and the Super-1200. In discussing these three basic cameras recently, Walter Bach, President of BerndtBach, Inc., said that the Cine-Voice is the “Chevrolet” of the line; the Pro-600, the “Oldsmobile” ; and the Super-1200, the “Cadillac.” Just as the number of Chev¬ rolet cars on the highways exceeds the number of Olds
CAMERA OPENED fo show inferior. Camera mechanism is mounted on Neoprene-rubber cushions for quiet running. Optical sound recording unit is right of film transport in photo.
THE COMPLETE CineVoice II camera and sound equipment is shown in use at right. Amplifier mixer battery unit rests in carrying case section beneath tripod. Cameraman mon¬ itors the sound record¬ ing by earphones.
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AMERICAN CINE/MTOGRAPHER