American cinematographer (Jan-Dec 1959)

Classified Ads Continued From Preceding Poge WANTED YE OLDE TRADING POST DOING BUSINESS 35 YEARS BUYS — SWAPS — SELLS YOUR Cameras, Dollies, Lenses, Lights, Moviolas, Printers, Recorders, Laboratory Equipment. CONSIGNMENTS TAKEN SET YOUR OWN PRICESHIP IT IN OUR PERCENTAGE IS SMALL WIRE US— WUX New York, Phone PL 7-0440 S.O.S. CINEMA SUPPLY CORPORATION Dept, fc Coble: SOSOUND 602 W. 52nd Street New York 19, N. Y. Western Bronch— 6331 Hollywodo Blvd. Hollywood, Colif., Phone HO 7-2124 WHY SACRIFICE your production and struggle with old or used equipment when we can trade for cash or new equipment. Let us know what you have and what you need. THE CAMERA MART, INC. 1845 Broadway.. PLaza 7-6977.. New York 23, N.Y. WANTED TO BUY FOR CASH 16MM AND 35MM CAMERAS AND ACCESSORIES MITCHELL — BELL & HOWELL STANDARD AND EYEMO—ARRI FLEX— MAURER— ALSO LABORATORY AND EDITING EQUIPMENT CAMERA EQUIPMENT CO. INC., 315 West 43rd St. NEW YORK 36, N.Y. CABLE— Cl N EQUIP TRY F&B LAST FOR THE HIGHEST QUOTE ON USED MOVIE EQUIPMENT FLORMAN & BABB 68 W. 45th ST., N. Y. 36, N. Y. Continued on Next Page Mitchell — Akeley — B & H — Wall — Eyemo Cameras — Lenses — Equipment NATIONAL CINE EQUIPMENT, INC. 209 West 48th St. New York, N.Y, POSITION AVAILABLE WANTED cameraman. Prefer man with considerable experience on Mitchell cameras. Midwest pro¬ ducer with fine reputation and financial standing wants man with ability and experience in lighting sets and operating camera on all kinds of interior and exterior photographic assignments. Very little travel involved in job. Excellent starting salary and opportunity. Write giving full details of past and present employment, equip¬ ment used, positions held, etc. Box 1357, AMERICAN CINEMATOGRAPHER. MEXICO CITY 16mm cameraman for special assign¬ ments. No sound or studio facilities required. V/rite experience. Box 1358, AMERICAN CINEMATOGRA¬ PHER. EXPERIENCED director-writer-editor for growing Southeastern film production firm. Send resume and details to CONTINENTAL FILM PRODUCTIONS, 539 Vine Street, Chattanooga, Tenn. SERVICES AVAILABLE 16MM MOTION PICTURE PRODUCTION Film Editing — Sound Recording — Sync-Sound Effects — Industrial — Advertising Educational — T ravel Sound Stage Available HARRY MERRICK STUDIO 1901 West Anaheim St., Long Beach 13, Calif. HEmlock 6-3291. DUTCH FILM PRODUCER offers all possible help in Europe. No language troubles. International trained technicians available. We solve all YOUR problems. Write or wire: WALTER DE VRIES, Lepelstratt 20-C AMSTERDAM, Holland. Telephone 57807. FILM EDITOR with 6 years experience in commercial film production and laboratory, seeks position with established producer offering secure future. Willing to relocate anywhere. Complete resume, credits, and references sent on request. Write to Box 1355, AMERICAN CINEMATOGRAPHER. ANIMATION produced in Japan from your story¬ boards. Low Japanese rates. Send us a trial order. INTERLINGUAL INTERNATIONAL INC., Harada Bldg., 2-1 Hirakawacho, Chiyoda-ku, Tokyo, Japan. CENTRAL AFRICAN coverage. GEOFFREY MANGIN, Telefilms, Box 8252, Salisbury, Rhodesia. SERVICES AVAILABLE FILM ASSIGNMENTS New York, Boston area. Scenic, stock shots, industrial, featurettes creatively filmed to your specifiications. ACORN FILMS, 168 W. 46th St., N. Y. C. Judson 6-2272. AUSTRALIAN coverage 16mm only. Filmed to vour specifications. Pref. "Wild Life Study in the West." RICHMOND J. NOBLE, 7 Inglethorpe Ave., Kensing¬ ton, Sydney, Australia. 16mm PRODUCER open to shoot stock or contract footage, complete productions in Ohio, Kentucky or West Virginia. Have equipment, will travel. DON FLESHER PRODUCTIONS, Box 6, Ripley, W. Va. LABORATORY & SOUND ROCKY MOUNTAIN 16MM HEADQUARTERS 16mm Black & White and Anscochrome — Processing — Printing — Recording — Editing — Production — Rental — Sales. All types of film in stock. Write for Price List WESTERN CINE SERVICE, INC. 114 E. 8th Ave., Denver 3, Colorado. AMherst 6-3061 SOUND RECORDING at a reasonable cost. High Fidelity 16 or 35. Quality guaranteed. Complete studio and laboratory services. Color printing and lacquer coating. ESCAR MOTION PICTURE SERV¬ ICE, INC., 7315 Carnegie Avenue, Cleveland 3, Ohio. Phone ENdicott 1-2707. 16MM MAGNETIC SOUND STRIPING Originals — Prints — Raw. Full, half or edge tracks, .025 per foot, including balance stripe if specified. 24 hour service. P-J FILM PRODUCTIONS, Box 2655 Colorado Springs, Colorado To Classified Advertisers Copy deadline for classified advertising is the 1st of month preceding publication date. Mail copy and remittance to cover cost to AMERICAN CINEMATOGRAPHER 1782 No. Orange Dr., Hollywood 28, Calif. PHOTOGRAPHIC ASSIGNMENTS Continued from Page 636 WARNER BROS. Arthur Arling, ASC, Commercials* Bert Glennon, “Captain Buffalo” -with Jeffrey Hunter and Constance Towers. John Ford, director. Joseph Biroc, ASC, “Ice Palace” (Shoot¬ ing in Alaska) with Richard Burton and Robert Ryan. Vincent Sherman, director. Edward Colman, ASC, “ — 30 — ” (Mark VII) with Jack Webb and Wiliam Conrad. Jack Webb, director. Jack Mackenzie, ASC, Ralph Woolsey, ASC, Roger Shearman, “The Alaskan.”* Ray Fernstrom, ASC, “Cheyenne”* with Clint Walker. Harold Stine, ASC, Rex Wimpy, ASC, Wesley Anderson, Roger Shearman, “Maverick”* with Jack Kelly. Edwin DuPar, ASC, Jack MacKenzie, ASC, Ralph Wooley, ASC, Ray Fernstrom, ASC, “Hawaiian Eye.”* Carl Berger, ASC, Jack MacKenzie, ASC, Rex Wimpy, ASC, Ray Fernstrom, ASC, “Bourbon Street Beat”* with Andrea Dug¬ gan and Richard Long. J. Peverell Marley, ASC, R.ay Fern¬ strom, ASC, Carl Berger, ASC, “Lawman”* with John Russell. Harold Stine, ASC, Edwin DuPar, ASC, “77 Sunset Strip”* with Efrem Zimbalist, Jr. Ellsworth Fredricks, ASC, “Tall Story” (Mansfield Prods.) with Anthony Perkins and Jane Fonda. Joshua Logan, director. Carl Guthrie, ASC, Warren Lynch, Wes¬ ley Anderson, “Colt 45”* with Wayde Preston. Carl Berger, ASC, Jack MacKenzie, ASC, “Sugarfoot”* with Will Hutchins. Ralph Woolsey, ASC, Rex Wimpy, ASC, Carl Berger, ASC, “Bronco”* with Ty Hardin. Thomas Tutwiler, ASC, Commercials* Walter Castle, ASC, Commercials* Peverell Marley, ASC, Commercials,* “Rachel Cade” with Peter Finch and Angie Dickinson. Gordon Douglas, director. Hal Mohr, ASC, Commercials* Arthur Feindel, ASC, Commercials* H. F. Koenekamp, ASC, Commercials* SIMPLIFYING SYNC Continued from Page 621 and is coupled directly to the magnetic phono preamplifier in the amplifier. The bass control is set at minimum to reduce random hum pickup. To summarize this system, as used for reproduction of picture and sound: the tape recorder feeds the sync con¬ trol impulse to the sync amplifier. The amplified signal controls the sync mo¬ tor that monitors the speed of the pro¬ jector so that it operates in sync with the recorder, thus insuring absolute synchronism between picture and sound. ■ FILM TREATMENT TIP Motion picture films having the Min¬ nesota Mining •& Mfg. Company’s lam¬ inated “Scotch Track” magnetic sound stripe require special care in cleaning. Such films, according to a bulletin issued by The Calvin Company, Kansas City, Mo., should be cleaned only with a Freon-type cleaning fluid. Other liquid film cleaners have been known to loosen the adhesive bond between the stripe and the film. The bulletin also advises against winding laminatedstripe film on cores. 638 AMERICAN CINEyAATOGRAPHER