American cinematographer (Jan-Dec 1960)

sprocket Assemblies 16 or 35mm $32.50 ea. Model S616-3 Three sprocket 16mm Synchron i z e r with Spacer and Mag¬ netic head. $215.75 PRECISION* FILM EDITING EQUIPMENT Precision Unitized Film Synchronizer Pat. Appd. For Model S635-1 Single Sprocket 35mm Synchronizer $95.00 Single Sprocket 16mm Synchronizer $95.00 (not shown) opticol magnetic sound readers Model 800 $259.50 Model 800 RL $269.50 Model 700 $198.50 F.O.B. Fac. Send For Free literature ii PRECISION LABORATORIES @ : DIVISION OF PRECISION CINE EQUIPMENT ^CORPORATION 1037 UTICA AVENUE BROOKLYN 3, N. Y magnetic film and tape sound reader optical sound renders Model 600 RL $195.00 AFTER 22 YEARS AT THE SAME LOCATION, TELEFILM IS STILL THE BEST ONE-STOP 16MM MOTION PICTURE SERVICE OFFERING SPEED, OUALITY, AND DEPENDABILITY. T€L£flLM I IMCOWPORAXED I 6039 HOLLYWOOD BLVD., HOLLYWOOD 28, CALIF. A leading 16mm motion picture technical service since 1938 PHOTOGRAPHIC ASSIGNMENTS Continued From Preceding Page Jean Bourgoin. “The Counterfeit Traitor” ( Teclinicolor ; Perlberg-Seaton Prod.; shoot¬ ing in West Berlin) with William Holden and Lilli Palmer. George Seaton, director. Joseph LaSheli.e, ASC, “All in a Night’s Work” (Hal Wallis Prod.) with Dean Mar¬ tin and Shirley MacLaine. Joseph Anthony, director. PARAMOUNT SUNSET STUDIOS Fleet Southcott, “Gunsmoke”* with James Arness and Dennis Weaver. Frank Phillips, “Have Gun Will Travel”* with Warner Anderson and Tom Tully. REPUBLIC STUDIOS Ernest Laszlo. ASC, “The Day of the Gun” (Brynaprod; shooting in Mexico) with Rock Hudson and Dorothy Malone. Robert Aldrich, director. RttRERT Krasker, “Romanoff and Juliet” (Color; Payor Prod.; shooting in Italy) with I’eter Ustinov and Sandra Dee. Peter Ustinov, director. Ernest Haller. ASC, “Fear No More” (Scaramouche Prods.) with Jacques Ber¬ gerac and Mala Powers. Bernie Wiesen, director. Russell Metty, ASC, “Midnight Lace” (Color; Arwin Prods.) with Doris Day and Rex Harrison. David Miller, director. Chris Challis, “The Grass is Greener” (Grandon Prods.; shooting in England) with Cary Grant and Deborah Kerr. Stanley Donen, director. Robert Burks, ASC, “The Great Impostor” with Tony Curtis and Karl Malden. Robert Mulligan, director. Ellis Carter, ASC, “Seven Ways From Sun¬ down” (color) with Audie Murphy and Barry Sullivan. George Sherman, director. Emmett Bercholz, “Death Valley Days”* (Filmaster Prods.) REVUE STUDIOS John Warren, ASC, “Alfred Hitchcock Presents”* (Revue Prods.). Ellis Thackery, ASC, “Coronado 9”* (Revue Prods.); “Markham”* (Revue Prods.) with Ray Milland. Benj. Kline, ASC, Commercials* (Revue Prods. ) William Sickner, ASC, Commercials* ( Revue Prods. ) William Daniels, ASC, Commercials* (Revue Prods.) TWENTIETH CENTURY-FOX William Mellor, ASC, “The Big Gamble” (C’Scope & Color; Darryl Zanuck Prod.; shooting in Europe) with Stephen Boyd and Juliette Greco. Richard Fleischer, director. Lucien Ballard, ASC, “Desire in the Dust” (API; C’Scope; shooting in Baton Rouge) with Raymond Burr and Martha Hycr. William Claxton, producer-director. Floyd Crosby, ASC, “Freckles” (API: C’Scope* Color ) with Martin West and Carol Christensen; Andrew' V. McLaclen, director: “Walk Tall” (C’Scope & DeLuxe Color; API Prods.; shooting at Big Bear) with William Parker and Joyce Meadows. Maury Dexter, director. Daniel Fapp, ASC, “Let’s Make Love” (C’Scope & Color) with Marilyn Monroe and Yves Montand. George Cukor, director. Continued On Page 446 400 AMERICAN CINEMATOGRAPHER