American cinematographer (Jan-Dec 1961)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Want superb color accuracy, total processing compatibility and wider exposure latitude in every phase of your work? One of these great Ansco emulsions will give you all three no matter what the job at hand. Process both camera and duplicating films in the same solutions for the greatest time and cost savings plus improved uniformity. Now choose the film best for your next production: Anscochrome Type 242 (3200K) — Anscochrome Professional Type 242 is a 16mm reversal film balanced for exposure to tungsten illumination. It is primarily designed as a camera original film, with lower contrast for subsequent release printing on duplicating stock. Type 242 has very fine grain, a high resolving power, exceptionally accurate color and a tungsten film speed of 25. Anscochrome Type 242 is also used for direct projection in missile tracking and scientific photography where its lower contrast and accurate color rendition are of advantage. Type 242 originals produce the highest possible color quality, sharpness and gradation in your release prints. Super Anscochrome® Film Daylight and Tungsten Types — Super Anscochrome film combines the color accuracy of Anscochrome with a higher film speed of 100. It records detail under poor lighting conditions. Super Anscochrome is frequently used in high speed cameras. Its higher film speed reduces lighting requirements allowing shorter exposure times for less image smear and smaller apertures for greater depth of field. Its excellent process¬ ing latitude permits forcing to a speed of 200 with acceptable results. Super Anscochrome film is slightly higher in contrast than Ansco¬ chrome. This permits clean color separation in available light or photography of distant objects where atmospheric conditions reduce subject contrast. Anscochrome® Film Daylight and Tungsten Types — Excep¬ tional color fidelity, one stop or better exposure latitude, and processing flexibility make 16mm Anscochrome film the standard for all normal lighting conditions. Anscochrome discriminates between subtle color differences yet yields images of high saturation and clarity. It produces rich, full blacks and crisp highlight areas for good definition. The normal 32 speed of Anscochrome film may be boosted to 64 through forced processing with a minimum of sacrifice in quality. Anscochrome film offers better, more accurate color even under difficult conditions. It is the basic color film for direct projection use. Anscochrome Duplicating Films — Anscochrome 16mm, 35mm, and 70mm duplicating films are used for printing from reversal color originals. They offer full Anscochrome processing compatibility, with fine grain, sharper prints, and high color saturation with superior curve conformity for accurate color values. Contrast values are ideally suited for motion picture duplication. Anscochrome Type Duplicating Films save time and costs with their complete processing compatibility in regular Anscochrome chemicals. For further information on these fine films write: Ansco, Professional Motion Picture Dept., Binghamton, New York. Ansco ® Professional j i Motion Picture % APRIL • 1961 197