American cinematographer (Jan-Dec 1961)

PHOTOGRAPHIC ASSIGNMENTS Continued from Page 208 REVUE STUDIOS Russell Metty. ASC, “Flower Drum Song” (Panavision; Ross Hunter Prod.) with Nan¬ cy Kwan and James Shigeta. Henry Koster, director. Emil Harris, John Russell. ASC, Ray Flin, “Wells Fargo”* Ellis Thackery, ASC, “Westinghouse Play¬ house”* ; “Bachelor Father”* John Warren, ASC, “Father’s Day”* (pilot); "The Investigator”* RALPH WOOLSEY, ASC Directed the photography of ‘ ‘Claudel le Inglish,” starring Diane McBain and Arthur Kennedy, at Warner Brothers last month; more recently has been shooting some of “The Roaring Twen¬ ties” and “Surfside 6” TV films. John Warren, ASC, Robert Gough, “Tall Man”* Jack MacKenzie, ASC, John Warren, ASC, Ray Flin, “Shotgun Slade”* Benj. Kline, ASC, Jack MacKenzie, ASC, “Checkmate”* John Russell, ASC, "My Uncle Elroy”* (pilot ) Kenneth Peach, ASC, “Thriller”* Mack Stengler, ASC, “Leave It to Beaver”* Walter Strenge, ASC, “Wagon Train”* Ray Rennahan, ASC, “Laramie”* Emil Harris, “Bringing Up Buddy”* Arthur E. Arling, ASC, “Lover, Come Back” (UI-7 Piets. — Nob Hill-Arwin) with Rock Hudson and Doris Day. Delbert Mann, director. Neal Beckner, “Alfred Hitchcock Pre¬ sents”* Benj. Kline, ASC, “Frontier Circus”* TWENTIETH CENTURY-FOX Philip Lathrop, ASC, “Hong Kong”* Ellsworth Fredericks, ASC, “Jay Haw¬ ker”* (pilot) William Mellor, ASC, “Ginger Rogers Show”* N. Shifton, “Sin of Angels” (C’Scope; Rossen Ent. ; shooting in N.Y.) with Paul Newman and Jackie Gleason. Robert Ros¬ sen, producer-director. Freddie Francis, “The Innocents” (C’Scope; England Achilles Film Prod.) with Deborrah Kerr and Megs Jenkins. Jack Clayton, director. Brydon Baker, “20,000 Eyes” (C-Scope; API) with Gene Nelson and Merry Anders. Jack Leewood, director. Floyd Crosby, ASC, “The Two Little Bears” (C’Scope; API) with Eddie Albert and Jane Wyatt. Randall F. Hood, direcor. Lloyd Ahern, ASC, “Adventures in Para¬ dise”* Kenneth Peach, ASC, “The Battle of Bloody Beach” (C’Scope; API) with Audie Murphy and Dolores Michaels. Herbert Cole¬ man, director. Winton Hoch, ASC, “Voyage to the Bottom of the Sea” (C’Scope and color; Irwin Allen Prod.) with Walter Pidgeon and Joan Fon¬ taine. Irwin Allen, director. Lucien Ballard, ASC, “Marines, Let’s Go!” (C’Scope & Color; shooting in Japan) with David Hedison and Linda Hutchins. Raoul Walsh, director. WALT DISNEY STUDIOS Edward Colman, ASC, “Babes in Toyland with Ray Bolger and Tommy Sands. Jack Donohue, director. WARNER BROS. Harold Stine, ASC, “The Couch” with Grant Williams and Shirley Knight. Owen Crump, producer-director. Harry Stradling, ASC, “A Majority of One” (Mervyn LeRoy Prod.) with Rosalind Russell and Alec Guinness. Mervyn LeRoy, producer-director. Willard Vanderveer, "Maverick”* Glen MacWilliams, ASC, Ralph Woolsey, ASC, Ray Fernstrom, ASC, Robert Tobey, ASC, “Roaring Twenties’ * Burt Glennon, “Lawman”* Robert Hoffman, Robert Tobey, ASC, Edwin DuPar. ASC, Lewis Jennings, “Ha¬ waiian Eye”* Lewis Jf.nnnings, Jack Marquette. Glen MacWilliams. ASC, Ralph Woolsey, ASC, “Surfside 6”* Carl Berger. ASC, Robert Hoffman, “77 Sunset Strip”* Edwin DuPar, ASC, “Las Vegas Presenta¬ tion Film”* (pilot) H. F. Koenekamp, ASC, Commercials* Meredith Nicholson, Commercials* Harry Waxman, ‘The Roman Spring of Mrs. Stone” (Color; AA Prod.; shooting in London) with Vivian Leigh and Warren Beatty. Joe Quintero, director. Ray Fernstrom, ASC, “Bronco”* Thomas Tutwiler, ASC, Commercials* ARTHUR ARLING, ASC Directing the photogra¬ phy of “Lover, Come Back,” at Universal-In¬ ternational Studios for producers Stanley Sha¬ piro and Martin Melcher. Featured are Doris Day and Rock Hudson. ZIV-UNITED ARTISTS Curt Fetters, “Acapulco”* Robert Wyckoff, Brick Marquard, "Bat Masterson”* Brick Marquard, “Case of the Dangerous Robin”* Monroe Askins, Jack Marquette, Curt Fetters, “Lock-Up”* Kenneth Peach. ASC, Monroe Askins. “Sea Hunt”* Richard Rawlings, Robert Wyckoff, "Ma¬ libu Run”* Monroe Askins, “Some Like It Hot”* (pilot ) QUALITY AND SERVICE MM BLACK & WHHB REVERSAL NEGATIVE POSITIVE PRINTING COLOR ProcessingSuper Anscochrome COLOR PRINTING Work prints — Timed Prints Color to Color prints — A & B roll prints Color to B & W prints — Fades-Dissolves Dupe Negative — Multiple prints Raw stock — Fastex service Loop printing Write for complete information FILM LABORATORIES 350 W. 50th ST. • NEW YORK 19, N.Y. JUdson 6-7196 To Sell To THE MOTION PICTURE INDUSTRY YOU NEED AMERICAN CINEMATOGRAPHER BELL & HOWELL GAUGES FOR FILM0 REPAIR This pair of precision tools cuts hours off Filmo repair time. Regular price for this set is $341.62. We offer these — in brand new condi Cf\ tion — while they last — both gauges | FLORMAN & BABB, Inc. t,° W&V VARIABLE SHUTTERS and Automatic Dissolve Attachments for all B 0 L E X H cameras. Write for literature. PELLEGRINI-PIEK 634 Hearst Avenue, San Francisco 12, Calif. APRIL • 1961 253