American cinematographer (Jan-Dec 1961)

who gave us wonderful help in solving the many problems encountered. You have often read newspaper headlines of men trapped in mine dis¬ asters. This film, “Dark Valley,” af¬ fords opportunity to observe the re¬ actions of such men as they face death by disaster. ■ BEHIND THE CAMERAS Continued from Page 658 Robert Surtees, ASC, “Mutiny on the Bounty” (Ultra Panavision & Color; shooting in Tahiti; Areola Prods.) with Marlon Bran¬ do and Trevor Howard. Lewis Milestone, di¬ rector. Paul Vogel, ASC, “Wonderful World of The Brothers Grimm” (MGM Cinerama; Geo. Pal Prod.) with Laurence Harvey and Karl Boehm. Henry Levin and George Pal, director. Robert Bronner, ASC, “The Horizontal Lieutenant” (Euterpe Prod.; C’Scope & Color) with Jim Hutton and Paula Prentiss. Richard Thorpe, director. Jack Swain, “Rawhide”*. PARAMOUNT STUDIOS Daniel Fapp, ASC, “The Easter Dinner” (Llenroc Prods.; shooting in Rome) with Charlton Heston and Elsa Martinelli. Mel¬ ville Shavelson, producer-director. William Clothier, “The Man Who Shot Liberty Valance” (John Ford Prods.) with James Stewart and John Wayne. John Ford, director. William Margulies, ASC, “Outlaws”*. Walter Castle, ASC, Haskell Boggs, ASC, “Bonanza”* Frank Phillips, “Have Gun Will Travel”*. PARAMOUNT SUNSET STUDIOS Fleet Southcott, “Gunsmoke”* Lester Shorr, ASC, “Pete and Gladys”*. REPUBLIC STUDIOS Charles Burke, “Target, the Corruptors”*. George Diskant, ASC, “The Rifleman”*. Wilfrid Cline, ASC, “Robert Taylor De¬ tectives”*. Howard Schwartz, “Mrs. G Goes to Col¬ lege”*. REVUE STUDIOS John Russell, ASC, Dale Deverman, Neal Beckner, “Alfred Hitchcock Pre¬ sents”*. John Warren, ASC, Benj. Kline, ASC, Lionel Lindon, ASC, “87th Precinct”*. Lionel Lindon, ASC, Robert Gough, “The Investigators”*. Benj. Kline, ASC, Dale Deverman, “Checkmate”*. John Warren, ASC, Benj. Kline, ASC, Ray Flin, “Thriller”*. Ellis Thackery, ASC, Jack MacKenzie, ASC, “Alcoa Theatre”*. Ray Rennahan, ASC, “Laramie”*. William Margulies, ASC, John Russell, ASC, “General Electric Theatre”*. John Russell, ASC, “Tall Man”*. Ray Flin, Commercials”*. Russell Harlan, ASC, “The Spiral Road” (Shooting in Dutch Guiana) with Rock Hudson and Genea Rowlands. Robert Mulli¬ gan, director. Russell Metty, ASC, “Touch of Mink” (P’Vision & Color; Granley Prods.) with Cary Grant and Doris Day. Delbert Mann, director. Jack MacKenzie, ASC, “Ichabod and Me”*; “Bachelor Father”*. Neal Beckner, “Bob Cummings Show”*. Ellis Thackery, ASC, “Wells Fargo”*. Walter Strenge, ASC, “Wagon Train”* Clifford Stine, ASC, “The Ugly American” (Universal International; shooting in Thai¬ land) with Marlon Brando and Eiji Okada. George Englund, producer-director. Mack Stengler, ASC, “Leave It to Beaver”*. Contitnued on Page 694 ALL MODELS FIT IN YOUR CAR) CINEKAD Microphone Booms CINEKAD Mike Booms are light in weight, rigidly constructed, precision engineered and ideal for location or studio work. Write for Free Catalogue CINEKAD ENGINEERING CO. Model BR-12 extends from 7 to 1 4 feet. Model C-12 extends from 7 to 14 feet; has external directional mike control. Model “Miracle” extends from 7 to 18 feet; has internal fitted noiseless directional mike control. Model C-18 extends from 7 to 20 feet; has external directional mike control. Each CINEKAD Mike Boom has a sturdy 5-foot stand, which can be elevated to a height of 10 feet. 763 10TH AVE., NEW YORK 19, N Y. at your service ! i reversal printing i i and processing ] Z. • Work Prints • Fastax Service — • Color-to-Color Prints • A&B Roll Prints — • Color-to-B & W Prints* Fades-Dissnlves • Raw Stock • Timed Prints Numbering Write for complete information . . . LAB-TV 723 Seventh Ave. N. Y. 19, JU 6-2293 Specialized LIGHTING EQUIPMENT for MOTION PICTURE, STILL and TELEVISION STUDIOS Write for A Copy of Our Catalog J on Your Letterhead 937 NORTH SYCAMORE AVENUE HOLLYWOOD 38, CALIF. AMERICAN CINEMATOGRAPHER. NOVEMBER. 1961 693