The American cinematographer (Jan-Dec 1963)

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Extension Tube Changes focal length of Arri lenses. MWLHABS* Cin-Ar Adapter Converts Arri lens for “C” mount cameras. MWLHABS* Double or Nothing Here are a couple of simple, low-price gadgets we make that are worth their weight in gold. Well, maybe not gold, but trading stamps, at least. They are easy to use and they save you money. The Cin-Ar Adapter doubles the value of your lenses because it enables you to use your Arri lenses on “C” mount cameras. Clever, huh? We’re glad to make these adapters for you because service is our paramount objective. However, for some reason, the lens manufacturers seem a little less than enthusiastic about them. Unfortunately for us, the adapter is so simple that we can’t charge you a big, fat price for it. °Made With Loving Hands at Birns ir Sawyer If we could figure out a way to make it complicated we might make a few bucks on it, but we are simple-minded. Then take the Extension Tube — and we wish you would. This is also a simple little tool. It changes the effective focal length of your Arri lens. Makes closeups and things like that. You should buy one just for fun. In fact, you should buy a whole flock of them and add one onto the other to make a 1— o— n— g extension. Seems like it should be good for shoot¬ ing freckles, • gnats, profits. -Every knowledgeable, competent cameraman should have one. Be in the know; be in competent; place your order today. up the morale of my crew, didn’t I?” The high-point of action in “Savage Sam” takes place during a dust storm which develops into a hail storm punc¬ tuated with lightning. To add the visual effect of hail to the sequence Disney’s unique sodium matte process was used in which the principal action is photographed against an orange background and illuminated by 1200 foot-candles of sodium vapor light. In order to create a strong enough lighting effect to bite through this unusually high level of general illumination, Cole¬ man utilized two of the new MoleRichardson “Tritan” 350-amp arc lamps, each of which produces 3200 foot-candles of light. Spotted down on the subjects and masked with shutters to create a flash, these units produced a most realistic lighting effect. A Vistavision camera was used in filming this special effect sequence in order to give the laboratory the benefit of an over¬ size negative to work with in creating the intricate traveling matte composites. “Savage Sam” is the latest of six feature productions which Edward Cole¬ man has photographed for the Disney Studios. Beginning his career in 1924 photographing two-reel “Educational" comedies with director Norman Taurog, today he has an impressive list of photographic credits, including most of Jack Webb's feature and television films. Last year he received an Acad¬ emy nomination as well as the exhib¬ itors’ Laurel award for his ingenious photography of the Disney comedyfantasy, “The Absent-Minded Profes¬ sor.'’ He recently completed the pho¬ tography of the sequel to that farce, “Son of Flubber.” ■ “Back off, big boy! You promised, ‘No closeups’!” AMERICAN CINEMATOGRAPHER, JANUARY, 1963 Catalog 1150 — Cin-Ar Adapter $16.50 Catalog 1146 — Extension Tube for Arriflex Lenses $18.00 Construction is rich looking, black anodized aluminum, precision turned. Cin-Ar adapter is internally flocked to prevent reflection. See Your Local Franchised Dealer, or Write... BIRNS & SAWYER Cine Equipment 6424 SANTA MONICA BLVD. • HOLLYWOOD 38, CALIF. • HO 4-5166 • CABLE: BIRNSAW Filming in Europe? PRODUCTION FACILITIES, CAMERA EQUIPMENT HIRE, SOUND RECORDING, TECHNICIANS, TRANSPORT, 16 OR 35MM, ANYWHERE. SAMUELSON FILM SERVICE LIMITED Just Cable "SAMCINE, London’’ 44