The American cinematographer (Jan-Dec 1963)

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Give You A Start From the films it was clearly observed that the birds of dark plumage caught fire while those with light plumage did not — proof of the effectiveness of lightcolored surfaces in reflecting heat from the blast. Somewhat later, when Operation Wigman (a series of underwater nu¬ clear tests) was initiated, the “Mon¬ sters” were again pressed into service — this time as housings for the under¬ water cameras that were to record the sub-ocean blasts. The housings were made water-tight by placing neoprene gaskets between the flanges and around the glass ports. Then they were at¬ tached to simulated submarines and lowered into the sea. Sequence timers were set to coincide with the blast so that the cameras would start rolling just before a bomb was detonated. No artificial light was employed. Using fast, Tri-X Pan film striking pictures of the shock wave were recorded as the simulated submarine was rocked by the underwater blasts. As it may be noted here, the U.S. Photographic & Charting Service’s rec¬ ord for achievement is not limited alone to photographic attainments. The Service is equally versatile in develop¬ ing new and unique methods and equipment, whenever necessary, for sueessfully completing the photographic undertakings assigned to it. ■ ASC RECOMMENDATION Continued from Page 35 ommendation #8. B. Anamorphic (Squeezed) Release Prints 2.4 The main title and main credits on 2.35:1 theatrical prints should be within a height limit of 0.678" max. as per diagram “B”. 2.5 This height specification is de¬ rived by taking the 0.565" safe action height times 1.2 which is the reduction factor in release print preparation as per block di¬ agram of ASC Recommendation #8 figure “C”. 2.6 The full 2.35:1 composition width of 0.839" max. can be used for anamorphic titles and credits since the special printer for the flat TV version can accommodate any hor¬ izontal spread condition to fill the width for safe display within the required 0.757" safe action area. 2.7 The camera aperture for titles as Continued on Page 52 You'll have to hand it to us for coming up with this handy, dandy stop watch. It’s shock proof, water resistant, dust resistant, anti magnetic, self compensat¬ ing and has an unbreakable main spring. But the obvious big difference is the big, block numbers you can read without squinting. For some strange reason, most other motion picture stop watches seem to have itsy bitsy numbers like they are trying to keep the time a secret. We shout it out loud and clear. Elapsed time, accumulated time, and also foot¬ age for 16mm and 35nmi films. You just can’t hardly make movies without one. What is not so obvious is that our stop watch is designed as a stop watch. Just about every other competitive make has a stop watch mechanism squeezed into a pocket watch case. Watch makers are a thrifty lot and they do this to economize. Since we don’t make pocket watches we went all out. Started with a full size, specially designed, hard chrome, stop watch case and gave it the works. Gives you easy, finger tip opera¬ tion in a quality time piece at no extra cost. Guaranteed for one year. Incidentally, our watches have no toek. They don’t go tick-tock, they go tick-tick. Maybe this is because we will let you buy them on tick. Order one today even if you don’t need one. You can have a barrel of laughs having your friends listen to a stop watch that goes tick-tick instead of tick-tock. Catalog 2624 Filmeter $15.95 Catalog 2625 Studio $24.95 See Your Local Franchised Dealer, or Write... BIRNS & SAWYER Cine Equipment 6424 SANTA MONICA BLVD. • HOLLYWOOD 38, CALIF. * HO 4-5166 * CABLE: BIRNSAW SOUND FOR YOUR BOLEX H16 or H8 CAMERA TAKE SOUND PICTURES! Perfectly synchronized sound recorded on tape si¬ multaneously with pictures on film. Complete unit includes mechanism section mounted to camera, amplifier with carrying strap, microphone, cords, headset, etc. No camera alterations required. Unit mounts on camera same as cover and appears as part of it. $265-0° Further information on request. LOUIS S. UHLER. F.O.B. Detroit 15778 Wyoming Ave., Detroit 38, Mich. Phone: UN 1-4663, Cable: UHLCIMA. AMERICAN CINEMATOGRAPHER, JANUARY, 1963 49