American cinematographer (Jan-Dec 1963)

COMPLETE WITH BATTERY Write for Full Information PHOTOMART I 228 So. Franklin St. -Tampa 2, Florida ■■■■■■■ Telephone 229-1166 FROM YOUR 12 VOLT CAR BATTERY Ruhyti i e CLAMP-ON DELIVERS 250 WATTS of smooth, even 3400°K light — Fits any camera. No tools needed, no holes to drill. Long life nickel-cadmium battery with built-in charg¬ er weighs only 7 lbs. Guaranteed one year. * 199. 50 $49.50 PORTABLE MOVIE LIGHT UNWOOD DUNN, asc Formerly head of RKO Studios Effects Dept. CREATIVE SPECIAL EFFECTS Complete Advisory and Technical Services From Story Ideas to Theater Screen. LIQUID GATE PRINTING FOR 16-35-65-70 MM BLOW-UPS Specialized Laboratory Services “ Over 30 Years of Major Studio Experience ” FILM EFFECTS of Hollywood 1153 N. Highland Ave., Hollywood 38, Calif. Phone: HO 9-5808 Cable: FILMFX IS COVERED BY ASIA Mm FILM COMPANY 424 LI P0 CHUN BUILDING HONG KONG COMPLETE 16/MM & 35/MM PRODUCTION FACILITIES NEW IMPROVED PROCESS LAMINATED SOUND STRIPING THE rrs 8MM — 16MM CO. 2i/2 1 per ft. 380 Ft. Minimum Order — Quality Guaranteed Send for Free Brochure 736V2 SO. ATLANTIC BLVD., LOS ANGELES 22, CAL. AFTER PHOTOGRAPHY, WHAT Continued from Page 54 depends on whether the film is for television or theatrical use. Each medi¬ um utilizes an SMPTE leader estab¬ lished for it. The right leader should be specified at the time prints are or¬ dered from the laboratory. No recommendation has been made here as to sound track provisions, proc¬ essing, dailies, sound prints for dubbing, etc., because much of today’s motion picture sound recording is on magnetic materials, right up to the final rtiix. BEHIND THE CAMERAS Continued from Page 20 La BREA STUDIOS Robert Hager, “Perry Mason”*. M-G-M STUDIOS William Snyder, ASC, “Cattle King” (Mis¬ souri Prod. Inc. Eastman Color) with Robert Taylor and Joan Caufield. Tay Garnett, di¬ rector. Milton Krasner, ASC, “Moon Walk” (Euterpe Prod.; P'Vision & Metrocolor) with Shirley Jones and Gig Young. George Sidney, director. Joseph Brun, ASC, “Flipper” (Eastman color; shooting in Nassau, Bahamas & Fla.) Ivan Tors, director. Harkness Smith, ASC, “Dr. Kildare”*. Dale Deverman, ASC, “The Eleventh Hour”*. William Spencer, ASC, “Sam Benedict”*. Robert Hauser, “Combat”*. MAYFLOWER STUDIOS, N. Y. Ernie Caparros, “Inside Danny Baker”* (pilot); “Ready for the People”* (pilot). NEW YORK STUDIOS George Jacobson, “Emmett Kelly Show”*. PARAMOUNT STUDIOS Daniel Fapp, ASC, “Samantha” with Paul Newman and Joanne Woodward. Melville Shavelson, producer-director. W. Wallace Kelly, ASC, “The Nutty Pro¬ fessor” (Jerry Lewis Prod.; color) with Jerry Lewis and Stella Stevens. Jerry Lewis, director. Boris Kaufman, ASC, “All the Way Home” (David Susskind Prod.; shooting in Ten¬ nessee) with Jean Simmons and Robert Preston. Alex Segal, director. Irmin Roberts, ASC, “Fun in Acapulco” (Hal Wallis Prod.) with Elvis Presley, Ursula Andes and Elsa Cardena. Mickey Moore, director. Haskell Boggs, ASC, William Whitley, ASC, “Bonanza”*. PARAMOUNT SUNSET STUDIOS Fleet Southcott, “Gunsmoke”* PRODUCERS STUDIO, INC. Emmet Bergholz, “Death Valley Days”*. REPUBLIC STUDIOS George Diskant, ASC, “Dick Powell Show”*; “Adamsburg”* (pilot). Wilfrid Cline, ASC, “The Lloyd Bridges Show”*. 56 However for release printing, either from cut negative or dupe negative, a 35mm B-wind negative printing density track is required. The foregoing relates essentially to black-and-white motion picture produc¬ tion. In a future article, we shall deal with the problems, procedures and op¬ tional steps involved in the production of 35mm color release prints. The foregoing article was originally pub¬ lished in Vol. 2, No. 8 of the General Film Rewind. It is condensed and reprinted here by permission of General Film Laboratories, Hollywood. The flow charts at the beginning of the article are two of a series recently distributed by General. — editor Howard Schwartz, ASC, “The Rifleman”*. Charles Burke, “Ensign O’Toole”*. REVUE STUDIOS Joseph MacDonald, ASC, “The List of Adrian Messenger” with George C. Scott and Dana Wynter. John Huston, director. Russell Harlan, ASC, “Man’s Favorite Sport?” (Howard Hawks-Gibraltar-Laurel Prod.; Technicolor) with Rock Hudson and Paula Prentiss. Howard Hawks, producerdirector. Ellis Thackery, ASC, Emil Harris, Wil¬ liam Margulies, ASC, John Warren, ASC, “Wagon Train”*. William Margulies, ASC, John Russell, ASC, Lionel Lindon, ASC, “Alfred Hitch¬ cock Presents”*. Benjamin Kline, ASC, Neal Beckner, Robert Gough , Ray Flin, “The Virginian . John Russell, ASC, Lionel Lindon, ASC, Ellis Thackery, ASC, William Margulies, ASC, “Alcoa Premiere”*. John Warren, ASC, “Best Years”*. Fred Mandl, ASC, Ray Flin, Emil Har¬ ris, “McHale’s Navy”*. Fred Mandl, ASC, “Going My Way”*. Lionel Lindon, ASC, “Butterball Brown”*. — Der Film Kreis, Germany. AMERICAN CINEMATOGRAPHER, JANUARY, 1963