American cinematographer (Jan-Dec 1963)

One -Two Three Th is ADVANCED Moy Visible Film Edge Numbering Machine simplifies matching 16mm to 35mm with direct numerical reference between both sizes.... $3750 STANDARD MODELS: Designed to edge number every foot of 16mm, 17'/2mm, 35mm films and simplify the task of checking titles and footage. MOV EDGE NUMBERING replaces cue marks, perforations, messy crayons, punches and embossing — does not mutilate film. Both negative and positive films can be numbered. Non-magnetic parts do not affect magnetic film . $2395 SPECIAL 16/35/70mm Combination . $4475 CONVERSION KITS: For changing operation from 16mm to 35mm or 35mm to 16mm . $875 ATS D HIM EDCE ARE IASI 10 SEE Write for brochure SA f niJATA TIME AMift I nr 602 West 52nd s* ' New York ,9— pLaz° 7 0440 iV ijt I llv I U'UrShVr I I vj|i mt. Western Branch: 6331 Holly'd Blvd., Hollywood, Calif. >-SEE OFFERINGS OF EXTRA-SPECIAL VALUES ON PAGES 201, 241, 243 AND 245 ■< 26 YEARS OF QUALITY REVERSAL PROCESSING • Specialists in high speed or standard reversal processing • Security clearance • Free Vacuumating • Films returned same day • Customer extra service: Special prices on Eastman & du Pont Reversal Film NATIONAL CINE LABORATORIES WASHINGTON 17, D. C. ■ ■■■■■ SAVE MONEY When Filming In Europe By Renting Your Camera Equipment From CHEVEREAU PARIS, FRANCE We Service The Entire Continent CAMERAS, including the Mitchell BFC 65mm CRANES DOLLIES 20 RUE DE LA CHINE PARIS 20, FRANCE Tels: MEN 9472. PYR 5104 Cable: Cameraloc Paris ment was a set of 8mm rewinds and preview projector. “To broadcast the 8mm film, we used a modified Fairchild Cinephonic projector, projecting the image directly into a vidicon film chain system. A five-blade shutter replaced the standard shutter to eliminate ‘shutter bar.’ Also a synchronous motor replaced the standard projector motor to give con¬ stant controlled speed. “The standard Fairchild 8mm mag¬ netic sound cameras were used with no modifications. The silent news film cameras used were standard Bolex 8mm cameras, using regular 100-foot daylight-loading spools of double-8 film. “I have reached these conclusions from this experiment: “(1) 8mm can he readily adapted to TV news film work, when profes¬ sional equipment becomes available. Existing equipment is manufactured for a consumer’s market and is not dependable enough for the heavy stresses of professional use. “(2) Tests indicated that when the present black-and-white reversal films are used, the definition of the picture is acceptable for TV news formats. “(3) More caution has to be exer¬ cised in the handling of the film to prevent scratches and the accumula¬ tion of dirt. “(4) The sound quality from the magnetic strip is as good as the single¬ system optical tracks of 16mm film. “(5) Tests indicated that 8mm color film shows excellent definition through the color chain system.” In his February, 1963, column Dick Hance summarized the activity to date on use of 8mm film in TV news: “KPHO-TV, in Phoenix, Arizona, has been experimenting with the Fairchild sound camera and projector. They ran into a film grain problem because they were processing double 8mm film as negative. They are now using reversal film, which has elimi¬ nated the grain problem. It appears that, generally speaking, there is less grain when using the reversal system. “Ray Curtiss, KPHO’s News Direc¬ tor, writes that they just received three new Fairchild Zoom Cameras, and the sound quality has greatly im¬ proved. They have also concluded that the Agfa Sonector 8 gives them ‘fan¬ tastic sound quality.’ KPHO engineers are currently converting the German projector from a three to a five-blade shutter, so that it will work into the film chain system. 232 AMERICAN CINEMATOGRAPHER, APRIL, 1963