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ADDITIONAL FILMLINE FEATURES:
• Double capacity spray wash • Dry Box and developer thermometers • Uniform tank sizes • Cantilever construction • Self-contained plumbing
• Ball-bearing gear box • Oilless air compressor
• Size 77" x 60" x 30" Weight approx. 650 lbs.
Worlds’ Largest Manufacturer of Quality Engineered Film Processors Since 1945. Over 100 Other Processor Models Available including Color, Microfilm, Negative/Positive and Spray.
The World’s Most Popular Film Processor!
• Develops reversal film at 1200 ft. per hour
• Negative-positive film at 1200 ft. per hour
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pp^ MODEL R 15
REVERSAL FILM
Model R-1
ONLY
$4750
Complete*
'
• Exclusive Overdrive — eliminates film breakage, automatically compensates for elongation, tank footage stays constant.
• Easy-to-operate, fully automatic controls make this an ideal machine for unskilled personnel.
• Variable Speed Drive — development times from 1 V2 to 12 minutes.
• Complete Daylight Operation on all emulsions — no darkroom needed.
• Feed-in elevator and 1200 foot magazine permits uninterrupted processing cycles.
• Stainless steel tanks, air squeegee, recirculation fittings, air agitation tube, lower roller guards.
• Forced filtered warm air drybox.
When You Buy Quality Filmline Costs Less!
For additional information write:
* Including Temperature Control System, Bottom Drains and Valves, Developer Re¬ circulation and Air Compressor.
Lease & Time Payments available
ment, the theory being that they would he able to concentrate on performance instead of being concerned with hitting specific marks. Since follow-focus now became somewhat catch-as-catch-can, Folsey decided to increase depth-offield by lighting at a key high enough to permit stopping down the lens to f/8. He also switched from DuPont Superior 2 to the somewhat faster Eastman Double X.
He had started out using a Fearless dolly, but soon discovered that this was not nimble enough to hold contact with the freely-improvising actors and that a great deal of time was being lost in re-laying dolly tracks. The problem was solved by substituting a crab dolly cap¬ able of swinging easily in any direction to cover unexpected moves. Admitting that such improvisation created prob¬ lems on the stage and in the cutting room. Director Strick. nevertheless, maintains that the results justify the means: “There are a couple of violent deliberate mis-matches in the picture.” he points out. “There is even one in which an actress changes from one costume to another in the midst of a continuous walk — with direct cuts made back and forth to the original
IN
STOCK!
Available
Immediately
NEW
ANGENIEUX IOX ZOOM
12mm-120mm f2.2 available
for all 16mm cameras.
25mm-250mm f3.2 available
for all 35mm cameras.
Serving the
World’s
Finest
Film Makers
• Lowest Prices!
• Trades Accepted!
WRITE* WIRE • PHONE
FLORMAN & BABB, INC.
68 West 45th St., New York 36, N. Y. MU 2-2928
AMERICAN CINEMATOGRAPHER, MAY, 1963
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