American cinematographer (Jan-Dec 1963)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Model R-15 ONLY $4750 Complete* F. 0. B. Milford Conn m?T7 i :4m The World’s Most Popular Film Processor! • Develops reversal film at 1200 ft. per hour tive-positive film at 1200 ft. per hour MODEL R-15 REVERSAL eh m IIAh V 88 m ImIvB I • Exclusive Overdrive — eliminates film breakage, automatically compensates for elongation, tank footage stays constant. • Easy-to-operate, fully automatic controls make this an ideal machine for unskilled personnel. • Variable Speed Drive — development times from IV2 to 12 minutes. • Complete Daylight Operation on all emulsions— no darkroom needed. • Feed-in elevator and 1200 foot magazine permits uninterrupted processing cycles. • Stainless steel tanks, air squeegee, recirculation fittings, air agitation tube, lower roller guards. • Forced filtered warm air drybox. When You Buy Quality Filmline Costs Less! For Additional Information Write Dept. AJ-63, ‘Including Temperature Control System, Bottom Drains and Valves, Developer Re¬ circulation and Air Compressor. Lease & Time Payments available CORPORATION MILFORD, CONNECTICUT The primary problem was the vast scope of the format itself: a film to completely encircle the audience — which would be projected on the world’s largest motion picture screen, an 8.000 square foot aluminum dome weighing eight tons and dwarfing the 3.000 square foot screens used for the triple-projector showings of Cinerama. The film was to encompass a vertical angle of 160 degrees, only slightly less than that of the natural horizon. Pre¬ viously the widest vertical angle cov¬ ered by a projected motion picture had been 140 degrees, achieved by a device used to train flyers during World War II. To simulate the black sky ablaze with stars that was to serve as the background for the entire film, a spe¬ cial 10-foot dome was constructed of fiberglass painted black on the inside and drilled with more than 1,000 in¬ dividual holes accurately plotted to duplicate constellations covering 210 degrees of the Northern hemisphere. The holes, representing five magni¬ tudes of star brightness, ranged in size from 1/8 to 1/64 inch in diameter. Outside and above the dome forty 10KW lamps produced an over-all even — IN STOCK! Available Immediately NEW ANGENIEUX IOX ZOOM 12mm-120mm f2.2 available for all 16mm cameras. 25mm-250mm f3.2 available for all 35mm cameras. Serving the World’s Finest Film Makers • Lowest Prices! • Trades Accepted! WRITE* WIRE • PHONE FLORMAN & 68 West 45th St., New York 36, N. Y. MU 2-2928 AMERICAN CINEMATOGRAPHER, JUNE, 1963 365