American cinematographer (Jan-Dec 1963)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Classified Ads Continued from Preceding Page SERVICES AVAILABLE FILM assignments, 16mm, Detroit area, scenic, stock shots. Editing and titling. HOWARD TRIEST, 10400 Saratoga, Oak Park 37, Mich. LI 2-7874. BRAZILIAN English speaking production unit available for assignments in Brazil, Uru¬ guay, etc. 1 1 years’ experience, color B&W. HELICONFILM, Ave. Ipiranga 1248, Sao Paulo. JAPANESE English speaking director-cinematog¬ rapher for features, TV, etc. HARRY MIMURA, 2-1303 Setagaya, Tokyo, Japan. Credits: "Around the World in 80 Days" (Far East locations), American TV films (See American Cinematographer, March, 1961). 16mm FILM assignments — Chicago, scenic, in¬ dustrial, in-plant. ARLETTE STUDIO FILM PRO¬ DUCTIONS, 1657 Grace St., Chicago 13, Illi¬ nois. Bl 8-8612. Ask for brochure. CANADA Montreal, all 16mm facilities and experienced staff using Magnasync recording, Arriflex, Auricon cameras. DAVID BIER STUDIOS, 265 Vitre Street, W., Montreal, P.Q. 16MM film assignments wanted in CANADA. Scenic, stock shots, industrial featuretttes, etc. Cameraman with European Film Academy background and 7 years Canadian experience. MacBETH FILM SERVICES, Box 223, Station "H", Montreal, Quebec. WANTED FILM WANTED: amateur and professional films for TV release. Drama, variety, comedies, ad¬ venture, cartoons and documents accepted. WELLINGTON FILMS, P.O. Box 884, Holly¬ wood 28, Calif. , MOVIE FILMS EXTRAORDINARY fine quality film prints 16mm, 8mm, classics: "Thief of Baghdad," "Variety," "Tolable David," others. MOVIEDROME, 219 Lake Ave., Bayhead, N.J. LABORATORY & SOUND SOUND RECORDING at a reasonable cast. High Fidelity 1 6 or 35. Quality guaranteed. Complete studio and laboratory services. Color printing and lacquer coating. ESCAR MOTION PICTURE SERVICE, INC., 7315 Carnegie Ave¬ nue, Cleveland 3, Ohio. Phone ENdicott 1-2707. REPRINTS of the 6-page, illustrated article SPECIAL PHOTOGRAPHIC EFFECTS IN MOTION PICTURES 25c Per Copy AMERICAN CINEMATOGRAPHER 1781 Ne. Orange Dr., Hollywood 28, Cailf. BEHIND THE CAMERAS Continued from Page 428 PARAMOUNT STUDIOS Wallace Kelley, ASC, "Who’s Minding the Store?” (York-Jerry Lewis Prod.; Tcolor) with Jerry Lewis and Jill St. John. Frank Tashlin, director. Geoffrey Unsworth, "Becket” (Hal Wallis Prod.; P’Vision & Eastman color; shooting in London) with Richard Burton and Peter O’Toole. Peter Glenville, director. Ellsworth Fredricks, ASC, “Seven Days in May” (Seven Arts-Frankenheimer-Joel Prod.) with Burt Lancaster and Kirk Doug¬ las. John Frankenheimer, director. Joe MacDonald, ASC, “The Carpetbaggers” with George Peppard and Alan Ladd. Edw. Dymtryck, director. Lester Shorr, ASC, "Invitation to a Hang¬ ing” (A.C. Lyles Prod.; T’color) with Dale Robertson and William Bendix. William Claxton, director. PATHE STUDIOS, N.Y. J. Burgi Contner, ASC, "The Nurses”*. PRODUCTION CENTER, N.Y. Arthur Ornitz, “Act 1” (Dore Schary Prod., Warner Bros.) with George Hamilton and Jason Robards, Jr. Dore Schary, direc¬ tor. George Stoetzel, ASC, "The Patty Duke Show”*. REPUBLIC STUDIOS George Diskant, ASC, Charles Burke, ASC, "Burke’s Law”*. Wilfrid Cline, ASC, “The Robert Taylor Show”*. Frank Phillips, ASC, “Gunsmoke”*. TWENTIETH CENTURY FOX Daniel Fapp, ASC, “Move Over, Darling” (C’Scope & Color) with Doris Day and James Garner. Michael Gordon, director. Lucien Ballard, ASC, “Take Her, She’s Mine” ( C’Scope-DeLuxe color) with James Stewart and Sandra Dee. Henry Koster, pro¬ ducer-director. Wilkie Cooper, “The Winston Affair” (Talbot-Pennebaker Prod.; C’Scope; shooting in England) with Doris Day and James Gamer. Michael Gordon, director. James Van Trees, ASC, “The Phil Silvers Show”*. UNIVERSAL CITY William Margulies, ASC, “Alfred Hitch¬ cock Presents”*. Arthur Ibbetson, “The Chalk Garden” ( Ross-Hunter-Quota Rentals Ltd. Prod.; T’color; shooting in England) with Deborah Kerr and Hayley Mills. Ronald Neame, di¬ rector. Joseph La Siielle, ASC, “Wild and Won¬ derful” with Tony Curtis and Christine Kaufman. Michael Anderson, director. Ellis Thackery, ASC, “Wagon Train”*, Nick Musuraca, ASC, “Jack Benny Show”*. Clifford Stine, ASC, “King of the Moun¬ tain” (Eastman color) with Marlon Brando and David Niven. Ralph Levy, director. Benjamin Kline, ASC, “Challenge Golf”*. John Russell, ASC, “The Virginian”*. Lionel Lindon, ASC, Walter Strenge, ASC, “Arrest and Trial”*. John Warren, ASC, “Channing”*. WALT DISNEY Edward Colman, ASC, “Mary Poppins” (T’Color with Julie Andrew and Dick Van Dyke. Robert Stevenson, director. William Snyder, ASC, “A Tiger Walks” (T’color) with Brian Keith and Vera Miles. Norman Tokar, director. WARNER BROS. Charles Lawton, ASC, “Youngblood Hawke” with James Franciscus and Suzanne Pleshette. Delmer Daves, producer-director. Ernest Laszlo, ASC, “Four for Texas” (Technicolor) with Frank Sinatra and Dean Martin. Robert Aldrich, producer-director. Burt Glennon, “77 Sunset Strip”*. “DAVID AND LISA” Continued from Page 427 elected to shoot our night scenes 4’dayfor-night,” we would undoubtedly have been compelled to place lights in win¬ dows of a number of the buildings in the location area for the same reason. So I don’t think we would have saved any money shooting this way. Even more important is the fact that closeups shot “day-for-night” are rarely flattering — and there were a number of them required in the closing sequences of David And Lisa. ■ INDEX TO ADVERTISERS American Cinematograper Manual . . 411 Arriflex Corp. of Amer...„ . 37S, 389 Bath-Auricon, Inc . 377 Birns & Sawyer Cine Equip . 399 Byron . . . . . 4th Cover Camera Equipment Co., Inc . 381 Camera Mart, Inc . 423, 427 Camera Service Center . 399 Chevereau . 427 Cinekad Engineering Co . 425 Cinema Business Cards . 394 Eastman Kodak Co . 402-403 Elgeet . 388 Farkas Film Co . 414 Film Effects of Hollywood . 421 Filmline Corporation . 417 Florman & Babb, Inc . 417, 419, 421, 423, 425 Jack Frost — . 383 W. J. German, Inc . 3rd Cover Gordon Enterprises . 385 Hansom Books . 394 Hollywood Camera Co . 386 Hollywood Film Co . _ . 415 Kling Photo Corp . 378 Lab-TV . . 37 6 Lowell-Light Photo Engr . _ 422 Magnasync Corp. . 413 Ray Mercer & Co . 425 Micro-Record Corp . 421 Midwestern Film LaD. . . 418 Miller Professional Equipment . 418 Mitchell Camera Corp . 384 Mole-Richardson Company . 419 Mole-Richardson European Service . 387 Movielab . . 2nd Cover National Carbon Co . 391 Pathe Products, Inc . . . . . 414 Pellegrini-Piek . 422 Photomart . 382 Precision Laboratories . . 407 F. B. Richardson . . 422 S.O.S. Photo-Cine-Optics, Inc . . 382, 393 Stevens Engineering Co . 422 Superior Bulk Film Co . 418 Uhler Cine Machine Co . . 427 Video Film Laboratories . 414 Vitatone Co. . . . 427 Zoomar Int’l Inc. 380 430 AMERICAN CINEMATOGRAPHER, JULY, 1963