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Classified Ads
Continued from Preceding Page
SERVICES AVAILABLE
16mm FILM assignments — Chicago, scenic, in¬ dustrial, in-plant. ARLETTE STUDIO FILM PRO¬ DUCTIONS, 1657 Grace St., Chicago 13, Illi¬ nois. Bl 8-8612. Ask for brochure.
CANADA
Montreal, . all 16mm facilities and experienced staff using Magnasync recording, Arriflex, Auricon cameras. DAVID BIER STUDIOS, 265 Vitre Street, W., Montreal, P.Q.
1 6MM film assignments wanted in CANADA. Scenic, stock shots, industrial featuretttes, etc. Cameraman with European Film Academy background and 7 years Canadian experience. MacBETH FILM SERVICES, Box 223, Station "H", Montreal, Quebec.
LABORATORY & SOUND
SOUND RECORDING at a reasonable cost. High Fidelity 1 6 or 35. Quality guaranteed. Complete studio and laboratory services. Color printing and lacquer coating. ESCAR MOTION PICTURE SERVICE, INC., 7315 Carnegie Ave¬ nue, Cleveland 3, Ohio. Phone ENdicott 1-2707.
PROFESSIONAL — ANIMATION — TITLING latest OXBERRY equipment, servo controlled com¬ pound. FILMSTRIP MASTERS, single, double frame, any aspect ratio, including lateral double frame crawl. CINEMASOUND PRODUC¬ TIONS, 1676 Dorr Street, Toledo 7, Ohio. Area Code 419 691 5446 242-4132.
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► Copy deadline for classified ad , * vertising is the 1st of month,"
> preceding publication date. Mail i ►copy and remittance to cover i
cost to <
| AMERICAN CINEMATOGRAPHER" | 1782 No. Orange Dr. ‘
. Hollywood 28, Calif. i
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FOR SALE
Maurer 05 16mni cameras being sacrificed as low as 12,500. One wilb follow-focus and blimp. Also, animation crane with 16mm Maurer camera, $6,000. Contact Mr. Bill Gerrie, R. G. Wolff Studios, 1714 No. Wilton PI., Hollywood 28. Calif.
MUSIC FOR EVERY MOOD
Complete background music library cleared for RAD IO-TV-MOT ION PICTURES Quality recordings by full-sized orchestras Complete selection of sound effects records also available.
Write for Clearance Application Forms and Catalogs
THE CAMERA MART, INC.
1845 Broadway, New York 23, N.Y.
INDUSTRY NEWS
Continued from Page 494
approximately 12% July 15. Hike is first for color negative in 13 years, af¬ fects negative, internegative and color intermediate films . . . Ten employees of Consolidated Film Industries in Hollywood last month received “25year Pins”. They were: Rosalind Burghardt, John M. Cooper, Ted Fogelman, William Funck, Dane Hansen, Lucille Holt. Job Sanderson. Ben Wolf, Travis Martinelli and Bill Toney . . . Jack Frost, Detroit lighting equipment rent¬ er, moved $100,000 worth of equip¬ ment to the Dearborn amphitheater to light the Ford Motor Co. pageant, “The Man From Dearborn” . . .
BEHIND THE CAMERAS
Continued from Page 454
Jack Swain, ‘'Rawhide”*.
Neal Beckner, “The Great Adventure”*.
TWENTIETH CENTURY FOX
Daniel Fapp, ASC, “Move Over, Darling” (C’Scope & Color) with Doris Day and James Garner. Michael Gordon, director.
Wilkie Cooper, “The Winston Affair” (Talbot-Pennebaker Prod.; C’Scope; shooting in England) with Doris Day and James Garner. Michael Gordon, director.
James Van Trees, ASC, “The Phil Silvers Show”*.
UNITED ARTISTS — TV
Burt Marquardt, “Law Breaker”*.
UNIVERSAL CITY
Joseph La Siielle, ASC, “Wild and Won¬ derful” with Tony Curtis and Christine Kaufman. Michael Anderson, director.
Nick Musuraca, ASC, “Jack Benny Show”*.
Clifford Stine, ASC, “King of the Moun¬ tain” (Eastman color) with Marlon Brando and David Niven. Ralph Levy, director.
John Russell, ASC, Ray Rennahan, ASC, “The Virginian”*.
Walter Strenge, ASC, Ellis Thackery, ASC, “Channing”*.
John Warren, ASC, Benjamin Kline, ASC, Ray Rennahan, ASC, Richard Rawlings, “Arrest and Trial'*.
William Margulies, ASC, Ellis Thackery, ASC, “Wagon Train”*.
Lionel Lindon, ASC, Benjamin Kline, ASC, Richard Rawlings, “Chrysler The¬ atre”*.
John Warren, ASC, Alfred Hichcock Pre¬ sents”*.
William Margulies, ASC, “Kraft The¬ atre”*.
WALT DISNEY
William Snyder, ASC, “Bristle Face”*.
Edward Colman, ASC, “Mary Poppins” (T’Color with Julie Andrew and Dick Van Dyke. Robert Stevenson, director.
WARNER BROS.
Ernest Laszlo, ASC, “Four for Texas” (Technicolor) with Frank Sinatra and Dean Martin. Robert Aldrich, producer-director.
Burt Glennon, “ Sunset Strip”*.
DIMENSION 150
Continued from Page 471
For exhibition, Dimension 150 em¬ ploys screens ranging from 120 degrees to 150 degrees of arc, depending on the physical features of the theatre. The screen aspect ratio is 2.71-to-l and a typical screen is 34 feet high by 92 feet wide. According to the developers, con¬ version is relatively simple for theatres already equipped for showing 70mm films, and the estimated conversion costs range between $15,000 and $25000. Under development is an “ad¬ justable” screen which will accommo¬ date projection of all film sizes and processes. At that time, it is claimed, switching from CinemaScope to Dimen¬ sion 150 projection would be achieved electronically within a 2 to 3 minute interval.
Todd-AO Corporation, which has ac¬ quired the process, claims “Dimension 150 has economic benefits for the en¬ tire industry.” ■
INDEX TO ADVERTISERS
American Cinematographer Manual . 486
Arriffex Corp.
of Amer . 447, 448, 449, 450, 451, 452
Bach-Auricon, Inc . 437
Behrend’s, Inc . 445
Birns & Sawyer Cine Equip . 468-469, 481
Byron . 4th Cover
Camera Equipment Co., Inc . 453, 489
Camera Mart, Inc . 438, 440, 489, 492
Camera Service Center . 461
Chevereau . 484
Cinekad Engineering Co . 493
Consolidatd Film Ind . 457
Du Pont . 439
Elgeet Optical Co . 442
Farkas Film Co . 492
Film Effects of Hollywood . 491
Filmline Corporation . 483
F'lex Electric Prods . 476
Florman & Babb, Inc . 455, 485, 491, 493
Jack Frost . +77
W. J. German, Inc . 2nd Cover
Gordon Enterprises . 490
Hollywood Camera Co . +78
Hollywood Film Co . +79
Lab-TV . +5+
Lowel-Light Photo Engr . 436
Magnasync Corp . 3rd Cover
Ray Mercer k Co . +93
Metal Masters . 492
Micro-Record Corp . +91
Mitchell Camera Corp . 458
Mole-Richardson Company . 456
Mole-Richardson European Service . +65
Moviola Mfg. Co . 480
National Carbon Co . 460
National Cine Labs . 48+
Paillard, Inc . 459
Pathe Products, Inc . 496
Pellegrini-Piek . 487
Photomart . +96
Precision Laboratories . 487
F. B. Richardson . 496
Charles Ross, Inc . +43
S.O.S. Photo-Cine-Optics, Inc . +35, +56, +83
Stevens Engineering Co . +88
Superior Bulk Film Co . +85
Tandberg of America . +88
Louis S. I’hler . +85
Uhler Cine Machine Co . ++1
Video Film Laboratories . +88
Vitatone Co . +96
496
AMERICAN CINEMATOGRAPHER, AUGUST, 1963