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ColorTran’s NEW 1000-watt B5-32 quartz-iodine lamp in the Quartz
King 500 housing provides the widest, smoothest coverage ever
achieved with quartz-iodine. NO BOOSTING REQUIRED.
• Rated life of 500 hours, never before available. Color temperature is constant. Does not dim or fade with age.
• Produces 75 footcandles at 20 feet, in a pattern 22 feet wide, 13 feet high, with an output that is virtually flat!
• Operates directly from 110/120 volts, AC or DC, producing 32006K.
• Weighs only 21 oz. Internal fusing in lamp for protection of equip¬ ment.
Through ColorTran leadership, quartz lighting conies of age!
The B5-32 lamp and Quartz-King 500 housing (LQK-5/WYA) are available in all parts of the world through ColorTran distributors.
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INDUSTRY NEWS
Continued From Page 630
tu rally conceived and photographed for the original Cinerama medium, in which it will be presented." “Mad World" was photographed in Panavision 70.
“Brick" Marquard New ASC Member
C. F. “Brick" Marquard, last month was voted to Active Membership in the American Society of Cinematograph¬ ers. Marquard. a veteran of 25 years in the motion picture industry, has photographed TV films for the past six years, including the “Challenge," “Sea Hunt,” and “Bat Masterson" series for Ziv, and “Donovan’s Reef” for Paramount. He is currently direct¬ ing the photography of the “Law¬ breaker" TV series for United Artists. •
Paul Perry Passes
Paul P. Perry, veteran Hollywood cinematographer and a member of the American Society of Cinematographers since 1920. died October 24, following a brief hospitalization.
After he left Universal, where he
photographed one and two reel come¬ dies, Perry joined Famous PlayersLasky studios in Hollywood where he remained for a number of years and photographed such stars as Mae Mur¬ ray, Jack Pickford. Lila Lee, and Wal¬ lace Reid.
In 1955, he was honored by the ASC with a Gold Membership Card com¬ memorating his 25 years of active membership in the society.
Camera Mart Conducts Film Editing Seminar
Some 600 film industry executives and employees attended the Camera Mart Film Editing Workshop-Seminar in New York last month. Planned and programmed by Charles Lipow, Cam¬ era Mart’s General Manager, the five day seminar opened on October 7th with a lengthy address by Mr. Arnold Eagle, of Arnold Eagle Productions, on subject of “Film Editing — The Essence of the Art.”
A total of 45 speakers and guest lecturers participated and more than 80 industrial firms, government agen¬ cies, universities and military installa¬ tions were represented by members of their film production personnel.
DISCUSSING FILM EDITING technique* at the MPO Videotronics Center in New York, where was held one session of Camera Mart's Film Editing Work¬ shop-Seminar, are (from left): Charles Lipow, Jim Young, Gary Hayes, Julian Bergman, Norman Leigh, and Joe Lerner.
The Seminar program started with screenings of two A.C.E. film’s, “Basic Principles of Film Editing” and “In¬ terpretation and Values.” The last film illustrated how three different film editors would handle exactly the same original film material.
Bill Kling, Film Supervisor at CBS News made an important presentation. Concerning the role of the TV film editor, he said: “The challenge to a TV film editor in news or documentary film assignments can best be defined as: a man who has the ability to edit and splice film footage in a period of
632
AMERICAN CINEMATOGRAPHER, NOVEMBER, 1963