American cinematographer (Jan-Dec 1963)

Record Details:

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PRECISION* FILM EDITING & LABORATORY EQUIPMENT Precision “Unitized Synchronizer” with Combination Optical-Magnetic Heads MOVISCOP 16mm Viewer with Model 600 RL Optical sound reader and base. Model 800 RL optical-mag¬ netic sound read¬ er can also be used with this system. Net Price Model 600 RL $195.00 Net Price of Base $39.50 Both viewers are inter¬ locked for perfect lipsync matching of picture to track. Power film slitter 16mm to double 8mm Look for this trademark For information and prices write: 16mm Projection Viewer interlocks with a base and the Model S616-2SP. Complete with counter measuring in seconds, minutes, hours . $547.50 Amplifier and speaker available . $143.00 Designers and Manufacturers of Equipment for the Motion Picture and TV Industries ■111 PRECISION LABORATORIES DIVISION OF PRECISION CINE EQUIPMENT CORPORATION 928-930 EAST 51st STREET BROOKLYN 3, N. Y. of people — the industry’s special effects experts and the stuntmen. No motion picture can purvey actionful thrills, ex¬ citement, or the breathtakingly improb¬ able without them. And no motion pic¬ ture was ever designed to make fuller use of their ah-inspiring abilities than “It’s a Mad, Mad, Mad Mad World.” The title alone would be proof. “You explain special effects* this way,” says Danny Lee who headed the company’s crew of 20 practitioners of controlled magic and creators of noninjurious disasters. “Script writers have no limits on their imaginations. What we do is to make photographable anything they come up with. All it takes is mechanical ability, a know¬ ledge of hydraulics, pneumatics, elec¬ tronics, engineering, construction, bal¬ listics, explosives and no acquaintance with the word ‘impossible.’ ” There is no major sequence in “Mad World” in which Lee’s cunning is not employed. Some things he and his men could do with their hands behind their *Not to be confused with special photogra¬ phic effects. These were produced for the picture by Lin Dunn, ASC, and his staff at Film Effects of Hollywood. A story on this phase of “Mad World” will appear in the January issue. — ED. SHOOTING WITH AN AURICON . ARRIFLEX 3 Vi" x 9" x 8" Weighs only 12 pounds yet runs 7000' through Auricon Cine Voice . . . 2700' through Cine Voice Con¬ version ... . 3000' through Pro-600 or Super-1200 Auricon! Pound-forpound your most powerful energy supply! you need the FREZZO 300 MORE P0W PER POUND THAN ANY OTHER POWER SUPPLY! • Built-in hi-power charger fully recharges in 4 Vi hours. Automatic cut-off. • Built-in vibrator provides for frequency check and set control for 110 Volt-60 cycle synchronous motors. (50 cycles on special request). • High power Nickel Cadmium cells — each with safety valve. • Auxiliary cable permits power tap from automobile batteries in emergency. • Special remote control cable. • Complete with sturdy leather carrying case and shoulder strap. Model 30D for Auricon or any 110V. 60 cycle camera . . . $350 Model 30DA as above with additional special output of 7.5 and 15V. operation for Arriflex cameras ... $400 For descriptive literature write to: CAMERA-MART, inc. 1845 Broadway, New York 23, N. Y. • PLaza 7-6977 AMERICAN CINEMATOGRAPHER, DECEMBER, 1963 727