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I Thirty-two American Cinematographer March, 1930 The FIJXDAMEXTALS of SOUND RECORDING and REPRODUCTION FOR MOTION PICTURES As 14 Leading Experts Explained Them to the Em- ployes of Hollywood Studios Under the Sponsorship of the Academy of Motion Picture Arts and Sciences. The Academy Technical Digest Accurate, Authoritative Information of Special Inter- est to Those Engaged in Motion Picture Production, Theatre Projectionists and Managers, Amateurs, and Technicians in Related Industries. The following papers arc included in the Digest: THE NATURE OF SOUND, by Professor A. W. Nye, head of Physics Department, Univer- sity of Southern California —THE NATURE OF SPEECH AND HEARING, by Dr. Vern O. Knudsen, Associate Professor of Physics, University of California at Los Angeles, Vice-President, Acoustical Society of America —ARCHITECTURAL ACOUSTICS, by Dr. Vern O. Knudsen —THEATRE ACOUSTICS FOR REPRODUCED SOUND, by S. K. Wolf, Theatre Acoustics Engineer, Electrical Research Products, Inc., New York City —THE ILLUSION OF REALITY IN SOUND PICTURES, by Wesley C. Miller, Chief Transmission Engineer, Metro-Coldwyn- Mayer Sfudfos—MOTION PICTURE SOUND RECORDING BY RCA PHOTOPHONE SYSTEM, by R. H. Townsend, Supervising Engineer for RCA Photophone West Coast Studios —MOTION PICTURE SOUND RECORDING BY FOX FILM COMPANY, by E. H. Han- sen, Operating Head of Movietone Division, Fox Studios —PHOTOGRAPHIC CONTROL IN VARIABLE DENSITY RECORDING, by Wesley C. Miller, Chief Transmission Engineer, Metro-Goldwyn-Mayer Studios —MOTION PICTURE SOUND RECORDING BY WEST- ERN ELECTRIC METHOD, by Dr. Donald MacKenzie, Technical Service Engineer, Electrical Research Products, 7nc.—REPRODUCTION IN THE THEATRE, by S. K. Wolf. Theatre Acoustics Engineer, Electrical Research Products, Inc .—REPRODUCTION IN THE THE- ATRE BY RCA PHOTOPHONE SYSTEM, by John O. Aalberg, Reproduction Supervisor, R-K-O Studios—ACOUSTICAL CONTROL IN RECORDING.*, by J. P. Maxfield, Record- ing Engineer, Electrical Research Products, Inc .—RECORDING SOUND ON DISC*, by Col. Nugent H. Slaughter, Chief Engineer in Charge of Recording for Warner Bros. Vitaphone Pro- ductions —RE-RECORDING (DUBBING) *, by K. F. Morgan, Development Engineer, Elec- trical Research Products, Inc .—ORGANIZATION OF STUDIO SOUND DEPARTMENTS*, by Carl Dreher, Sound Director, R-K-O Studios —PRACTICAL PROBLEMS IN RECORD- ING*, by A. W. De Sarte, Sound Director, Paramount-Famous-Lasky West Coast Studios — PRACTICAL PROBLEMS IN RECORDING*, by Douglas Shearer, Recording Engineer in Charge of Sound Department, Metro-Goldwyn-Mayer Studios —PRACTICAL PROBLEMS IN RECORDING*, by L. E. Clark, Technical Director of Sound, Pathe Studios. *Now in process of publication. i i Academy of Motion Picture Arts and Sciences, Hollywood, California. Please send me the first eleven papers in the ACADEMY TECHNICAL DIGEST, a binder in which to keep them for convenient reference, and mail the seven subsequent papers to the address below. My check or money order for $4 is enclosed. Name Address I I