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I January 1933 • American Cinematographer 1 AMERICAN CINEMATOGRAPHER A Technical and Educational publication of motion picture photography. Published monthly by the AMERICAN SOCIETY OF CINEMATOGRAPHERS, INC., Suite 1222 Guaranty Building, Hollywood, California. Telephone Granite 4274. JOHN ARNOLD, President, A. S. C. GEORGE SCHNEIDERMAN, Treasurer, A. S. C. Volume XIII JANUARY, 1933 Number 9 What to Read DESERT Studies by Ned VanBuren, A.S.C 5 CO-OPERATION Saved Us $17,000 by Harrison Wiley 6 PROJECTION Keystoning by R. Fawn Mitchell 8 SOLVING Sound on 16 MM. by B. L. Hubbard 1 0 “FROSTING” Negative Eliminates Scratches 14 DeBRIE Announces Silent Camera by Wm. Stull, A.S.C 16 MOTION Picture in Universities by Earl Theisen 17 PHOTOGRAPHY of the Month 1 8 EXPLAINING the “Gamma” by Emery Huse, A.S.C 20 ON the Job With Camera and Sound Men 48 AMATEUR SECTION WINNERS of Equipment Prizes 25 WINNERS of Certificates of Award 26 1933 Amateur Competition 27 MEET the 1932 Prize Winners 28 MAKING a Prize Picture by Palmer & Page 29 I Make Them Myself by S. H. McAfee, D.D.S 30 PROFESSIONAL 16 MM. Cameras by Wm. Stull, A.S.C 32 SCHOOLS Favor 16 MM. by Marian Evans 34 IDEAL Baby Picture 36 ESTABLISHED 1918. Advertising Rates on appli- cation. Subscription: U. S. $3.00 a year; Canada t $3.50 a year; Foreign, $4.00 a year; single copies 25c. COPYRIGHT, 1933, by American Society of Cine- matographers Inc. The Staff EDITOR Charles J. VerHalen TECHNICAL EDITOR Emery Huse, A. S. C. ASSOCIATE EDITOR William Stull, A. S. C. COVER AND ART Dorothy Groton ADVISORY EDITORIAL BOARD George Schneiderman, A. S. C. Hatto Tappenbeck, A. S. C. H. T. Cowling, A. S. C. Dr. L. M. Dieterich, A. S. C. Dr. C. E. K. Mees, A. S. C. Dr. L. A. Jones, A. S. C. Dr. W. B. Rayton, A. S. C. Dr. Herbert Meyer, A. S. C. Dr. V. B. Sease, A. S. C. FOREICN REPRESENTATIVES Georges Benoit, % Louis Verande, 12 Rue d’Aguessau, Paris 8e. John Dored, Riga, Latvia. Herford Tynes Cowling, 311 Alex- ander Street, Rochester, N. Y. Neither the American Cinematographer nor the American Society of Cinematograph- ers is responsible for statements made by authors. This magazine will not be re- sponsible for unsolicited manuscripts. I