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3 MAGAZINE CINE-KODAK NEW... but already the Leader in the 16 mm. Field O-SECOND LOADING — you can do it with your eyes shut. No threading — the film comes in a magazine. Slip the magazine into the camera and close the cover — you’re set to shoot. You can switch from one film to another in a jiffy. No wasted seconds. No wasted footage. The magazine protects the film. Footage meter on each magazine — whether it is in the camera or in pocket or carrying case — show s how much film there’s left. THREE SPEEDS — normal, half-speed, and slow motion. At normal exposure speed Magazine Cine-Kodak purrs along at 16 frames per second. ^ hen you want to attain an amus- ing douhle-time screen effect or overcome unusually adverse lighting conditions, you merely shift a lever at the front of the camera to half speed. Setting this same lever at the 64 frames per second marking brings you beautiful slow motion studies. Under your finger, as you shoot, a gentle “pulse” button keeps you posted on scene length while your eye re- mains at the finder. FIVE LENSES add to the versatility of this outstanding camera. Its standard lens is a Kodak Anastigmat/.1.9. By means of an inexpensive adapter this /.1.9 lens is inter- changeable under finger-tip control with four accessory lenses: 2-inch/.3.5, 3-, and 6-inch telephotos. The full- vision, eye-level finder system competently serves them all. SMARTLY STYLED—Magazine Cine-Kodak’s light, yet sturdy, die cast aluminum case is finished with pin-grained genuine leather and satin-finish chromium. To those who want home movies at their best and simplest — here is your camera. $125, with f.1.9 lens; §137.50 including de luxe carrying case for camera and accessories. • Loads with regular Kodachrome, Kodachrome Type A, Cine-Kodak “Pan,” and Super Sensitive “Pan” Film. EASTMAN KODAK COMPANY, ROCHESTER, N. Y.