American cinematographer (Dec 1936)
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498 American Cinematographer • December, 1936 • ANNUAL TOPIC INDEX- Volume XVII, 1936 TOPIC INDEX—PROFESSIONAL A Abel, David, evolves new technique: 288. Academy Award, Hal Mohr cap- tures: 143. Agfa’s Infra Red film: 194. Air-Turbine, transparency develop- ing machine: 237. Arnold, John, chosen president for sixth year: 193. A S.C. Members on parade: 242; 290; 332; 378; 420; 464. 508. August, Joseph, personality story: 239. Automatic control for starting cam- era & sound: 196. B Blimps: 10 “Bloop-Light": 10. 'iBrodine, Norbsrt, personality story: 196. C "Camera, automatic control for starting: 196. Camera equipment: 10. Characteristics of Eastman M. P. Negative film: 190. Cinematographic working conditions in London: 241. Cinematography to be emphasized at Universal: 287. Clouds to order, making: 101. Color: 285; 327. Color picture, lighting of: 505. Color ballyhoo justifying itself. Is: Color, lighting of Technicolor: 282. Color new three-color process: 141. Color stills for production: 50. Color under water: 376. Color, what is so mysterious about: 414. Color for “Bread and Butter pro- duction: 419. D Developer bath formulas, rapid: 54; 98. Developing: 8; 52; 54; 98; 100; 142; 145; 197. Developing machine. Paramount transparency air-turbine: 236. E Economies with “Process Shots : 48. Elements of a successful picture: 244. . England, making pictures in: 9/. F Focus by remote control: 53. Focus effects. Lens mount for:370. C Cilks, Alfred, personality story: 56. I Infra Red film, describing: 194. Insert car: 11. L Lamp recording: 329. Lang, Charles, personality story: 96. Lens mount for universal focus ef- fects: 370. Lighting Color on Black and White Schedufe; 505. Lighting: 12./ Lighting '^thtee-color technicolor process: 331. Lighting, using meter for set: 460. Lighting & Location, supplying power for: \^8. Location & Lighting, supplying power for: 238. Lyons, Chet, death of: 508 M Make-up for new Technicolor pro- cess: 331. Make-up, new sculpture-like: 375. Mate, Rudolph, personality story: 463. Mellor, William, personality story: 328. Music designed by sound: 147. N Negative film: 191. Newsreeling Political conventions: 325. O Optical Effects, Rhythmic for Musical Pictures: 504. P Patent Troubles Seem to be Brew- ing: 501. Photo meter to balance set light- ing: 460. Power for lighting on location: 238. Printing: 8; 52; 100; 142; 197. Printing the new three-color pro- cess: 141. Problems of controlling correct pho- tographic reproduction: 8; 52; 100; 142; 197. Problems in lensing European pro- jection scenes: 198. Processing methods: 54. “Process-Shot” Economy: 48. Process patents, producers pool composite: 461. Progress in lighting means econ- omy: 12. Projected-background process shots: 10 . R Rapid processing methods: 54; 98; 145. Recording: 329. Remote control, following focus by: 53. Rosher, Charles, personality story: 240. S Sea bottom. Technicolor on: 376 Sharp, Henry, Personality story 506. Shooting thrills: 330. Sound, automatic control for start- ing: 196. Sound, music designed by: 147. Stereoscopic picture Experimenting / 507. /stills for production, color: 50, T Technicolor exteriors, matching art- ificial sunlight with: 418. Technicolor on sea bottom: 376. Technical Progress in 1936: 502. Third Dimension Motion Pictures Experimenting: 507. Transparency air-turbine develop- ing machine: 236. Travel: 286; 416. Tribute to Blackburn by camera- men: 415. U Ultra Violet recording with “Black light:” 329. V Valentine, Joseph, personality story: 372. W Why is a cameraman: 463. Working conditions in London, cinematographic: 241 TOPIC INDEX—AMATEUR A Agfa processing station: item, 32 Amateur club news: items, 24. Amateur contest of 1935: 24. Amateur filmers throng to Junior Society: 352. Animation: item, 169. Animation with 8mm. cameras: item, 121. C Camera angles: 262. Cameraman’s life: 394. Clouds roll by, making the: 344. Color: 26; 212. Color film, new: item, 218. Color photography: item, 350. Color, selections in: 306. Contest of 1935: 24. Continuity for Texas Centennial: 302. Continuity from odd shots: 526. Composition, using light to help: 71, D Design, harmony in: 29. Detective work with movie camera: 530. Developing: 260. Document, filming an industrial: 263. E Editing: 167. Editing cabinet: 120. Editing—montage: 31; 117. Editing “Anthony Adverse”: 345. Editing in the camera: 305. Effects (photographic) transitions —wipe-offs: 75. Effects: double-exposure: 118. Enlargements of 16 mm. film: 172. Exposure, interior: item, 121. Exposure meter: item, 171. European notes for amateurs: 210. ’wer, making an 8 mm.: 2 . the Quintuplets: 168. have used: 122. the Big Came: 482. older: item, 308. actors: item, 439. 114; 166; 392; item, 396, ; device, new; item, 218. indicator: 30. :ounter: item, 264. Gadgets: film viewer, 72; projec- tion, editing and sound cabinet: 120. H Harmony in texture and design: 29. Here’s How: 121; 169; 310. Honorable mention to amateurs: 73. Inserts, lens field for: 300. Interior exposure: item, 121 K Kodachrome trail, on the: 26. Kodachrome speed: item, 396. Kodachrome processing station, new: item, 32. L Laboratory, equipping clothes closet for; 388. Lamps, Dufaycolor: item; 396. Lens field for inserts; 300. Lens, new 8mm.: item; 76. Lens, projector item: 121. Lens; new: item, 350. Light to help composition: 71. Lighting; 27. Lighting Units, home made; 525. M Magazine, Eastman Cine Kodak: item, 32. Make-up: item, 169. March of Time, making the; 214. Micro-filming; 524. Miniature shots, substandard: 216. Mirror photography: item, 169. Montage: 31 ; 117. Movement, aid to continuity: 478. Movement, film it the right way: 438. Movie party; 258. N Newsreeling the Italo-Abyssinian war: 395. Newsreeling the Olympic Carnes: 432. Newsreeling on a Presidential cam- paign: 479. Newsreeling in Spain: 434. Nautical filming; 304. P Pola-Screen: item, 76. Presentation of stories: 303. Printing: item, 310. Prize winner, shooting an 8mm.: 115 . Professionals on a holiday: 476. Projection lens: item, 121. Projection, 16 mm. 70. Projector cases: item, 264. R Reversing Cine films, European method of: 260. Reversal development of film, home: item, 310. S Scenario, Christmas: 521. Scenarios; 28; 74: 116; 164; 213; 259; 307; 345; 393; 437; 480. Screen: improved; item, 171. Sea and sky with filters: 114. Shorts: 349. Shutter opening: item, 12"1. Shooting Quintuplets on the wing: 481. Slitter, 8 mm.: item; 308. Sound and projection, 16 mm.; 70r Sound cabinet: 120. Sound: 391. Sound on 16 mm.: 477. Splicer, new film: item; 124. T Tempo: 25. Titler wipe-off; 30. Titles, Trick; 522. Travel: 348. Travel, Africa: 436. Travel, European notes for ama- teurs: 210. Travel, 16 mm. at the South Pole; 347. Transitions: 75. Tricks with mirrors: 119. Tricks, imitating professionals: 261, Tripod screen: item, 308. Tripod; item, 83. W Wheels of Industry: 36; 76; 124; 171; 218; 264; 308; 350; Wipes; item, 121. Wipe-off, fitler: 30. 396; 483. I