American cinematographer (July 1937)

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312 American Cinematographer • What Says the Morn? Continued from Page 272 screen and we fell under the spell of the artistry of the late and lamented Ernest Torrence the mind reverted to a luncheon in the early twenties in th( Astor in New York. The occasion wa 5 one of a series of celebrations arc ind the conclusion of a year’s sho ving in the Criterion of “The Co’’ ered Wagon”—incidentally a run establishing a record in the industry. Pi'esent were all the Paramount bowwows, Zukor and Lasky leading. One of the honored guests was Tor- rence, who although he had been without a day’s work in a year and a half prior to his entrance into the cast of the “Wagon” now the world around was acclaimed as a great actor. In a response to a toast the actor told of his introduction to the screen as a “dirty dog heavy” in “Tol’able David,” an independent picture made in the mountains of the South with the object of selling it to one of the major companies. If recollection be correct it was Charles Brabin who produced and directed the subject and who when he came to sell it en- countered the customary studied in- diflFerence of the buying distributor, singly or as a group. Brabin was forced to sell the rights, according to the reports at the time, to Universal for $25,000, the produc- tion cost—and a job as a director. The latter meant something worth- while, for it was of long duration and of course remunerative. Incidentally U made a clean-up on the picture. Killing an Obsession Getting back to Torrence the player told of the unvarying response of casting directors when he applied for work—no, while undoubtedly he was a good actor, nevertheless he was a “dirty dog heavy” type and there was no such spot open. On unheeding ears fell information that the player had toured the British Isles and Europe as a concert pianist and at other times had been featured as a musical comedy artist. For a year and a half Torrence did not get a day’s work. Then he was sent for by Jesse Lasky. At the con- clusion of the conference the producer remarked in exceedingly blunt fashion what he thought of the absence of good looks on the part of the actor, which the latter faithfully quoted but which will not be here because this writer entirely disagrees with the ac- curacy of the alleged statement. The producer went on to remark he also believed Torrence was a good ac- July, 1937 CLASSIFIED ADVERTISING Rates: Seven cents a word. Minimum charge, one dollar per insertion. FOR SALE—MISCELLANEOUS REBUILT SILENCED AND STANDARD BELL & HOWELL 170 DEGREE CAM- ERAS—Hi-speed gear boxes. Bell & Howell Hi-speed shuttles. Wall single system sound camera with dii-ect drive motor, new tyiie movement, variable area high fidelity gal- vanometer, microphone, amplifier, lenses, triix>d and accessories. Complete, ready for operation. Two late model Bell & Howell splicers; rebuilt Dui)lex sound and picture printer ; pair used Simr)lex portable sound projectors with 2000 ft. magazines. Preci- sion, Debrie and Bell & Howell pan and tilt triix)ds. Bell & Howell 1000 ft., 400 ft. magazines. Motors, sunshades, finders, lenses and all accessories. Write, wire or cable. MOTION PICTURE CAMERA SUP- LY, INC., 723 SEVENTH AVE., NEW YORK, N. Y. CINECAMERA. BELL & HOWELL 5-WAY SOUND PRINTER. Generators, Panel Control Boards, Duplex Printers, Sound Moviolas, Developing Ma- chines, Blimijs, Dolly, B & H splicers, Mit- chell and B & H Silent Cameras, Motors, High Speed Gear Boxes, Light Testers, Projection and Lighting Equipment. Guar- anteed optically and mechanically perfect. Send for 1937 Bargain Catalogue. Holly- wood Camera Exchange. 1600 Cahuenga Blvd., Hollywood, California. Cable Ho- camex. EYEMO 71AA, F2.5, case, 6" Dallmeyer Tele- photo F4.5, 2" FI.9 Dallmeyer, 3%" Tay- lor-Hobson Cooke F3.3, set of eyepieces, regular price $795, SPECIAL CLOSE-OUT $325 complete: 35mm DeVry. soundfilm with amplifier, $189.50. Bargains 8, 16, 35mm ecjuipment. Trades accepted. Rental library. Request catalog. Mogull’s, 1944-A Boston Road, N, Y. C. BELL-HOWELL CAMERA SILENCED, adapt- ed for color, variable area, single system sound. Complete outfit, like new, ready to shoot. $2750.00 Hollywood Camera Ex- change. 1600 Cahuenga Blvd., Hollywood, California. Cable Hocamex. DEBRIE CAMERA, Parvo, 8 magazines, tri- pod and cases, $1200.00 cost will sell for $200.00 almost new, bargains in 16-35mm cameras. We Buy Anything. Block Cam- era—154 E. 47th St. New York. WE BUY, SELL AND RENT PROFESSION- AL AND 16mm EQUIPMENT NEW AND USED. WE ARE DISTRIBUTORS FOR ALL LEADING MANUFACTURERS. RUBY CAMERA EXCHANGE, 729 Sev- enth Ave., New York City. Established since 1910. PRESS CARDS—For the freelance photogra- pher, 25c. General News Box 25M, West F^rms Station, New York City. 2 MITCHELL STANDARD SOUND CAM- ERAS—$2350, $2750. 2 BELL & HOWELL CAMERAS, 1 with eye shuttle movement $1100. 1 with Fear sound movement includ- ing sound motor $1250. 35mm Sound Re- cording Head with variable area $300. 35mm B & H film perforator with new set of punches $200. We buy and sell used equipment of every description. Write us your needs. , CAMERA SUPPLY CO. 1515 No. Cahuenga Blvd. Hollywood, California BELL AND HOWELL 170° CAMERAS—high speed shuttles—high speed gear boxes— 400 and 1000 foot Bell & Howell maga- zines — Bell & Howell tripods — motors. AKELEY and DEBRIE CAMERAS. Akeley motors. High speed motors. Sunshades, lenses and finders. Write or Wire CAMERA EQUIPMENT, INC. 1600 Broadway New York City Tel. Circle 6-5080 Cable: Cinequip AKELEY CAMERA NO. 287, like new, with two-inch, six-inch, twelve-inch and seven- teen-indh lenses, five magazines, tripod, and specially constructed trunk to carry complete outfit. Ruby Camera Exchange, 729 Seventh Avenue (Cable address. Ruby- cam), New Yoi'k City. SPECIAL SINGLE SYSTEM CAMERA and full equipment. $975. Box D., American Cinematographer, care of S. R. Cowan, 19 E. 47th St., New York City . ART MOVIES, 16mm and 8mm. List Free. Box 16, Station W. Brooklyn, N, Y. WANTED WE WANT TO BUY All types of Cameras We pay the highest cash prices for Mitchell, B & H, Akeley, DeBrie, Eymo and other makes of cameras and camera accessories. We also want tripods, motors, magazines, cut- ting room and laboratory equipment. Tell us what you have! Get our price offer!! CAMERA EQUIPMENT, INC. 1609 Broadway New York City WANTED: DEBRIE PARVO L. Please state condition and price to ROLAB Photo-Sci- ence Laboratories, Sandy Hook, Conn. WE PAY CASH FOR YOUR USED CAMERA, LABORATORY AND STUDIO EQUIPMENT. Write, wire or cable MOTION PICTURE CAMERA SUPPLY, INC. 723 Seventh Avenue, New York City Cable Address : Cinecamera WANTED. We pay cash for everything pho- tographic. Send full information and low- est cash prices. Hollywood Camera Ex- change, 1600 Cahuenga Blvd., Hollywood, Calif, tor and he was going to give him a good job. After that until the day of his death the actor worked as often as he desired and sometimes when he did not. We can’t let this pass without re- marking one of the features of the showing at the 8mm club was the scoring contributed by our own Bill Stull. That covered both planning and executing. President Loscher be- fore and after the showing praised the work that had been done. Bill re- torted in kind, commenting on the cooperation he had received from the president and Secretary Armstrong. HOLLYWOOD HAS STOCK CO.MPANY T he second play to be staged by the Hollywood Little Theatre opened on the evening of June 14 to a crowded house. “Places, Please,” by Aurania Rouverol, as interpreted by the Henry Santrey Players, was a worthy successor to “Thirteen Miss- ing Minutes,” the first to be shown. Yvonne Frances again held the femi- nine lead, while Wyndham Standing of the famous Engli.sh family topped the men players. Jane Corcoran was in the leading feminine character part-