American cinematographer (Nov 1937)

Page scan 0009 from American cinematographer

Record Details:

Title:
American cinematographer
Date:
Nov 1937
Publisher:
Hollywood : American Society of Cinematographers, Inc.
Volume:
American cinematographer (Nov 1937)
Leaf #:
0009
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",Cinematography,"Technical Journal
Collection:
Technical Journals and Hollywood Studio System
Format:
Periodicals
Contributor:
American Society of Cinematographers, Hollywood
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
November 10, 2022
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

452 American Cinematographer • November, 1937 Shot during the filming of Samuel Goldwyn’s new ^2,000,000 Technicolor spectacle, THE GOLDWYN FOLLIES INKIES IN TECHNICOLOR Thanks to new precision filters and the brighter, whiter light from G-E Mazda lamps for color photography, the many advantages of "inkies,” so well known in black-and-white cinematography, are now available for Technicolor. THIS CLOSE-UP from Samuel Goldwyn’s new Technicolor production, "The Goldwyn Follies,” illustrates clearly some important features pro- vided by G-E Mazda lamps: 1 . Constant color . . . and satisfac- tory color. 2 . Silent operation. 3 . No clutter on set. Note the room around the camera. 4 . Lightness and portability of equip- ment. These advantages are also helpful for other types of color shots . . . as well as black-and-white. Are you beneptting fully from the versa- tility of G-E AlAZDA lamps? General Electric Co., Nela Park, Cleveland, Ohio. GENERAL ^ ELECTRIC MAZDA LAMPS