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U.A. DOMINATES LONDON SCREENS
WITH PARADE OF HIT PRODUCTIONS
London — theatrical center of Great Britain and show canital of Burope — continues, week in and week out, to be dominated by United Artists productions. Recent releases besides "The Ghost Goes West" (which is covered on another page in this issue)
ine jude:
MOSCOW NIGHTS — A fresh Alexander Korda success, directed by Anthony Asquith, with Harry Baur, Laurence Olivier and Penelope Dudley-“”ard in the leading roles. Opened at the Leicester Square Theatre, Nov. 8 and was immediately tagged by press and vublic
aS a box 2ffice natural in the world market. Merits of the
film, which will be released in America shortly, were summed up py Varisty as follows: "A good picture is one that makes money. A super is one that not only makes money but gets favorable notices for its artistry. Moscow Nights is both. Can be classed as a stellar feature for any picture house."
ARMS AND TH= GIRL — Smart showmanship on the vart of Murray Silverstone, U.A.'sS managing director, in retitling this picture, which we called "Red Salute." The new name, better descrintive of the comedy story, proved a decided asset to the box office of the London Pavilion Theatre, where it opened Nov.1l.
DARK ANGSL — The same Coldwynner over there that it was over herel Played seven solid weeks of smash business at the Leicester Square Theatre.
BARBARY COAST — Another Goldwyn triumph which packed them in at
the London Pavilion Theatre for four record-breaking weeks. The Prince of “Wales (now King tdward VIII) was one of the thousands
that enjoyed it’
THR MELODY LINGFRS ON — Heart-throbbing drama, garnished with popular oneratic selections a tasty Reliance dish that furnished the vatrons of the London Pavilion Theatre with some swell screen fare.
SPLTNDOR — The third Goldwyn hit in a row. Duplicated the success at the London Pavilion Theatre, where it opened Dec. 30, that it enjoyed in New York at the Rivoli Theatre, when it played there beginning Nov. 32.
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WALPOLE CONTRIBUTES TO DICKENS
Hugh Walpole, who wrote the screen play of "Little Lord Fauntleroy," has been selected to contribute a chapter on Mr. Pickwick to a forthcoming symoosium on Charles Dickens's most famous characters. It is to be contained in a new book, soon to be distributed in England as part of the worldwide celebration of the anniversary of the famous novelist's birth. sane ee