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THE ART OF SOUND PICTURES
b. Tunney staring superciliously at an intrusive newspaper reporter who has asked him some question about his private life.
c. A society girl looking at a poor relative with a blank stare, and remarking, “Oh, really, now.”
d. A man, about to be shot by Mexican bandits, nonchalantly lighting a cigarette and smiling at the firing squad.
e. A man lighting a cigar with a thousand-dollar bill.
/. A woman, whose husband has told her she is nothing but a woman of the streets and he is about to divorce her, replying with a rising inflection, “Really?”
II. Physiological Expressions
a. Tightening of the jaw muscles.
b. Clenching of the hands.
c. Dilation of the pupils of the eyes.
d. Increased strength and rapidity of heart beat.
e. Decreased action of sweat glands, except as secondary result of muscular activity.
/. Irregular breathing, with a changed ratio of inspiration to expiration, showing more exertion in every breath.
g. Rise in blood pressure of arteries.
h. Inhibition of digestive action of stomach and intestines.
i. Dilation of the blood vessels on the outside of the body and in the brain.
Inducement
A. Gross Behavior
I. Illustrations
a. A persuasive trial lawyer, such as Clarence Darrow, having little evidence to offer in behalf of his client, nevertheless persuades the jury to render a verdict of not guilty. In a case of this sort, the law>'er allies himself completely with the emotions and minds of the jury, and then proceeds to convince them that his own emotional conviction and intellectual opinions as to the innocence of his client are