The art of sound pictures (1930)

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CHAPTER IX TITLES The choice of suitable titles for your stories depends on many factors. Most important of these is the fact that here you have your first point of contact with millions of people attending the movies all over the United States and in many foreign countries throughout the world. These millions are made up of young people and old, people of wide education and people of none, rich men and paupers, travelers and stay-at-homes, happy and unhappy, housewives and business women, people of strict moral scruples and people of none. All of these and many, many more. How, then, to select a title which will appeal to this heterogeneous mass? We cannot pretend to give a comprehensive answer. The problem is too complex. The best we can do is to make some suggestions and to give some illustrations to help you choose your title. Of course, titles are frequently changed to suit the publicity and sales departments. Sometimes the change is made after the picture is all ready to be released. The title of a story during production is known as the ‘‘working title,” in open acknowledgment of the fact that the final choice has to do almost entirely with sales values and publicity values rather than with the story itself. In some instances, certain words in the title determine the success or failure of a picture from the box-office 209