The art of sound pictures (1930)

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INDEX Alibi, 197; velocity of dialogue in, IIS Audience, limitations of average, 14 Boles, John, 34 Bow, Clara, 33 Brenon, Herbert, 47 Broadway, 20/.; synchronization in, 228 Brutality and gruesomeness, censorship of, S3#. Bulldog Drummond, velocity of dialogue in, 115 Canary Murder Case, suspense in, 90 Captivation, 164^.; illustrations of gross and subtle behavior in, 178#. Censorship regulations, 52^. Character, how to portray, 100/.; time limitation for screen portrayal of, loi ; depicted in emotional moment, loi ; total personality and traits of, 102; trait, defined, 104; determined by three stages of action, 106; characteristic acts, 104/.; subtly depicted, 150 Chevalier, Maurice, 48 Coincidence, right and wrong use of, 88 Color, pictures in, 241; additive processes in photography of, 242 ; psychological principles in photography of, 242 ; chart, 243 ; technical principles in pho Color {continued) tography of, 244; cause of flicker, 246 ; cause of fringe, 246 ; multiple film processes, 249; multiple image process, 250; subtractive processes, 252; imbibition process, 254; Fox Follies and, 258; in relation to the writer, 259; emotional values of, 261 ; preferences, 262, 263 Compliance, defined, 130, 131 ; illustrations of behavior in, 138#. Conferences, editorial, 34^. Contract players, 33 Crime, censorship of, biff. DeMille, William, 197 Derogatory titles, censorship of, 67 Desert Song, 34 Desire, intellectual, 156; illustrations of behavior in, lyoff. Dialogue, 108; writing of, in; word choice and, 113; length of film, and, 112; sound recording and, 1 13; velocity of, 114; intensification of plot and character by, 114; compared in drama and sound picture, 115; music and, 202 Disc records in sound photography, 229 Doctor’s Secret, plot technique in, 8S Dominance, 131#.; destructive and competitive, 132 ; illustrations of behavior in, 140#. Drugs, poisonous, censorship of scenes and titles, 70^.