Best broadcasts of 1938-39 (1939)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

BEST ORIGINAL PLAY (COMMERCIAL) Expert Opinion by True Boardman From The Silver Theatre The initial broadcast of the Silver Theatre was presented on Sunday, October 3, 1937. The story, “First Love,” an original written for Silver Theatre by Grover Jones and adapted by True Boardman, was a four-episode vehicle in which Rosalind Russell and James Stewart appeared for four successive Sunday afternoons. This was a definite departure in commercial radio programing. Half-hour dramatic broadcasts had, until then, either told one complete story in each thirty-minute period or projected one major story line throughout a series of at least thirteen weeks’ duration. It was felt that the Silver Theatre should allot to the telling of each story as much time as was needed to tell that story well. In other words, a complicated plot that could not be satisfactorily condensed into the half-hour format was presented instead as a continued story in two, three, or four parts. As a result of this thinking. Silver Theatre has been able to offer its listeners material of greater depth and scope than might otherwise have been possible, the additional time allowing for clearer characterization as well as for more detailed development of situation. Many stories, however, are ideally suited to the half-hour period, and more than fifty per cent of the scripts used on Silver Theatre are concluded in a single episode. With the exception of an occasional magazine story. Silver Theatre presents original material specifically written for the program. Story ideas are purchased from both motion picture and radio writers and then adapted for the show by True Boardman, its staff writer. Mr. Boardman has also contributed a number of his own originals to Silver