Best broadcasts of 1938-39 (1939)

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SEEMS RADIO IS HERE TO STAY All this by way of prologue, Listener; And prologues should not be prolonged. Let our announcer do what he’s engaged to do: Announce What this is all about. And let there be, when he is done, some interest expressed By beasses and by strings. A little music, as they say, To start an intf ospccAive program on its way. Announcer. — The Columbia Workshop presents an original verse brochme by Norman Corwin, entitled, “Seems Radio Is Here to Stay.” Sound. — Fade in oscillator i, with symbolic stream of code in definite rhythmic pattern, bring in oscillator 2 at lower pitch and with contrapuntal rhythmic pattern. Hold both until Music. — Orchestra picks up pitch and tempi of both oscillators and develops material into heroic fanfare of salutation. Narrator. — That will take care of overtures and prologues for tonight. You’d think that we were warming up To something slightly mighty in the way of melodrama. Magniloquent with love and hate, with sacrifice and sin, repentance, and with sound effects; Or else you’d think that we were mobilizing moods To make way for an epic chronicling a war; But no; But neither; As we said before. We’re here to talk of radio. Voice. — Say, mister. Narrator. — Yes ? Voice. — What do you mean by we? Narrator. — You wonder at the pronoun wef Well, radio’s collective. No one in it’s indispensable. The proof begins right here : Just watch and see S03