The billboard (Nov 1918)

T11 e iB?ri'ri>'0''a> a Vaudeville Reviews By Special Wire Ghka^ Ailiice n> Wont M Tft Tto Cmmt, la traw Mooab St. t-Mu Art tU <Mtr Vm. b Hw laiti Ml (Mm. n* art li abftondr hw, tkHk ik> hMbiIi iM not. Bittf *lu* I* Iwiki imltr. ■MMt nnM ii Mwr won**" *^ 1^ Ha*nBiaWR> DprVulrMtt *B« Mr Bo- lt* Un «ntM. M M» wM ■»• isitHt M> n» WM k Ttl 1W CM». u4 tw »w lnli« MU, Sat-m r«H, imnd Auguato lorio & Sons f the N«w ^^^,^*|||- "'^^?!£w!i^t"'"^iM a! properly "apotud" on Ui« bill; raeelvad mnbh apidMia program, with one or two wnMptloiii, conBtltnMd a with tld-blU of mmlcal comady Intsnpened. Maui hhshi wvre •prlnkled tbm tb« andlMics, molt of tbem evldenllr belnr at- tracted by the Bad Croat Blm. The hoiue held a capacity audience, the BtandloK apace ID the raar belnv.Oiled mostly with celebrltlCB of the metrop^ olia. The abow waa a long one, WelUnstoD Crow not kdIok ob anlU five o'cloah. and. In fact, the entertainment on the whole lacked the neeeBBary novelty punch that one aliould set from the Pair ~ No. ■—Uord asd VftOmi-. daadnc mttM tham avw n Tha boya *"~ &«tfarK bnt UmjiMHM*! lUTM ic-MMikusW'* wmmk win tt Om ahA-^MUM ta-rtmr tha amr thata tb ^ aTHW»a<rwltfi^M^klarTwifilaiCil ■■•»fl»—.-irtollii'aalBa'BBi difcata ■ra intro^ dnctd by. tba llonii BUtara; the WSrran Olfl^ Ardalle CIeavaa and Fanllne Cbambara, -whlls QnCenle Duncdln ahova her ability on the tirbt wire. All of the prlnclpala m srllita. and altho th« art rWi. for ihlrty-rtit miiiiitu the Interrat waa sustained, and four bows were awardBd to the glria Special aet- llnsa In one and full ataca. No. 4 —aiflon Crawford, the muHlcal comnily «t«r. opened with hto well- knawB oisvlnK picture "bit" ataban.[«d aonewhat slnn he wa* laat aeen here, and then followed with a series of aonsa and atorlei handled In hla own unique wny. Hla Annie L.aur]e "aiplsnation" caused rears of lauKhicr. and after many eaeorea Crawford responded with hla "■Daaiinc" racltatlon at KInlns Cups Race, the rendition of which, tor sheer artistry, la a classic Crawford das» not rely open material, his peraonallly belnE- responsible for the poaltlbn ba oecnplaa In the eatlmatlon of praaeni-day theatersoero. In one, aaalsted lir k "CDalr/' tor twenty-flve minutes: many bowa. ' Na^ I—Adalald* and Ruches, retained for a aeeand weeh. wer* araln ••an In Iholr latert fads and rancles et danclnc. *Ilh the brllltaot yonns nl- anlilt, Dara SehDOlar, accompany inc. in Addition to h.'< aensatlonal solo. Mlea Adelalda la an acMmpliahed and dainty little artist, white Hushes, with hla nifty atapplnr, lajeeta unllmltad elaaa to the production. In full atose with ■paoiai aattlnii! aavafal bqwA ntraRUiBstoN No. *—AabutMlns Bnkan U««a, tba Itrat of the Rad Croaa war work nima, created a aensatlon. Tha rtotiura pUtaly ahowad the work accomplished by the modem "Afig^i ,ot Uarcr-** It ptainly Md tM'atorjr st tha bnndreda of malmad Pollus, with am* or Maa nUBifaB-wb»:UTa bean mtad out with irtinciKi limb* ao wandrfuiiy oaaMtaaiad tw thw au-writa a* <ra<l a* *v*'. play bowla, work In maehlna MwpaL In IMt n a]Mnt:thalP tMoat prataialona as tho nothiDK had aver happanad. In ail probablUtrtha ' ■-' ■■ ■ tba war naa-yat bean —— a raiMvalt d antbwat of applanae at tha educational motion picture iba war naa-yat In aympatbatlo sllanca, bnt rawardad antb a nnal. No. T—Daleon and Davtes started oil atnins, Salaon aa an Amarlean sol- dier trylnic to make a auppoaedly FTanab girt undMtUknd hira. Many laughs were obtained, but they will have to atlok aeina woed Into their nnish, even as Clever aa thia doupia la. aoma Of their llnaa are bright. "I came from Jersey City.** aan Delaon. "I don't bloma you." said Ihe. in one, with a special drop for fltlean minutas. No. S—Chrlatla Haedonald came baek wltb Cnpld'a Ulrror, tha same set thia popular favorite revealed at tha Palaea durinc last asaaon. Misa Mac. donald waa In aplendld voice, and the vary novelty of the musical faniaay Blvei the star an added ehorm. The aMnny U beaatltui, and Irene Rowan and William HbIk ably support tha aintar. Tha mualc i« by Albert Von Til- ser. Id one and two, for Blxteen mlqUtaat With totir oDiUina. No. 9—WalilUBton Cross, with/ted Sbapiro at tho piano, told storlaa ond Bsng sonKs much lo the llhltiff ofitha croWd. His reCIUllve eong. Uifayctte. netlnm Ketn riaht over the fooKlahta. and he probably could Whv here tot navaral weeH^, In one, with tncAroa and bOwa despite the laleucs at the boor. 10—Derkln's Does closed the abow.— -hUjUAR. Keith*8, Cincinnati w Watt. Xstsabw m Fismun SbII ticMt Willi OMlini~ make chanis iltli IliB other. One-Hand Book STRIP TICKETS % Roll sttip lirketa a» petforaled nam (be (Doin of the csid Mockj m SMn hnM «n As pita, lliis inakea an abao- lutely peitect perforation and otM that can be ton easily with one hand, thus lca*niB the other band fraa to make change. Why usetwohsnda tn tor a tirliet when Ona *| Ov Book Tiokela bavO npbMd tlia mS ticket in many of tba Uigcat tbcattM^ parka and r«in of tha emniliy,aod tfaej £m inTsrtaUy tffflntha bMt ol Mtill;^