Biographies of Paramount Players and Directors (1936)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

83. GERTRUDE MICHAEL (Paramount player) A piano prodigy at IS, a university law student at 15, and director of a radio station at 17, Gertrude Kichael combines with an amazing variety of talents and interests a keen sense of humor which, together with her native Southern charm of manner, makes her personality felt. In Talladega, Alabama, where Gertrude was born, she first attracted attention at 3 because of the ease with which she memorized verso and prose, she started playing tho piano at five and by the time she was twelve she was giving concerts, and in tho meantime, she had begun studying the violin. At 14 she entered tho University of Alabama law school, but a y :ar of legal studies convinced hor that this was not hor forte. She continued her musical studies at Converse College and the Cincinnati conservatory of Music, where she won a scholarship for five years* study in Italy. Her father's death altered her plans to go to Italy and she started a little theatre rap Tenant in her community, and founded radio station WFDA. She did practically all the talking, piano -playing, singing and whatnot over the station. Next she connected up with Stuart Walker's stock company and soon was give leading roles. She remained with him a year and then headed for Broadway, m 1932 she got a part in "Caught Wet" because she could play skriabin's "symphony No. 1 in E Flat" and road dialogue at tho came time. Her first movie experience camo "as a lark" at paramount »s Now York studio where she played a siaa.ll part. Two other studios sought to make screen tests, but she returned to the stage. She finally accepted an offer of MGM to come to Ho.lly.7ood for a test, with all expenses paid. She arrived with two bags expect* ir.g to stay a week, but she's never gone back east. In December, 1933, she signed with paramount. She plays the violin when she's tired and the piano when ohe'shappy. she lik^i fast cars and intends to buy a speed pla?ie. Her recent pictures are: FOUR HOURS TO KILL, LAST OUTPOST, TILL Wl MEET AGAIN, FORGOTTEN FAGSS, RETURN OF SOPHIE LANG.