The Bioscope (May-Jun 1915)

736 she Broscore, May 20, 1915. ioe? | THESE MAGNIFICENT SUBJECTS ARE | INCLUDED IN THE REGULAR WEEKLY | TRANS -ATLANTIC PROGRAMME King Baggot Makes a Fine You remember King Baggot! s clever work in “The Secret of the Coster in the Imp Drama i Ha wileh ne took ¢ oF rv of a guise ane played # to me ife. In “The Five-Poun ote” he is a fashionable swe THE FIVE-POUND NOTE. who hawks fruit from a coster’s barrow for a wager. He loses the 1875 feet. Released June 28. wager but wins agir). The public love coster stories, so book this. In every picture she appears in Miss Madison casts over it the magic spell of her own fascinating personality. This is an out-ofthe-rut story portraying the devotion of a man to another who had wronged him. Edward Sloman and Joe King are other princi a This is bound to be a big winner. We urge you to boo Bewitching Cleo Madison ina strong heart interest story: *“ HAUNTED HEARTS.” Gold Seal Drama. 1920 ft. Rel. July 1 This Play contains all the elements of popular success. There are some fine boxing scenes, and Edna Maison and Ray Gallagher are seen to the utmost advantage. His daughter’s interrupted card party makes the senator see the unfairness of his legislation. The kind of plot that always appeals to picture audiences. Applying the law of the poor to the rich with dramatic results is “THE RECOIL.” Big U drama. 1724 feet. Released July 1 Hank Mann in Another of Thos: Funny L-KO Comedies, ‘*ROUGH BUT ROMANTIC.”’ 764 feet. Released June 28. Steadily but surely Hank Mann is rising to the top of the tre> in his own peculiar style of farce fun. Hank is the son whose father falls in love with his offspring’s girl, But Hank is a strenuous lover. Nuf sed! Book this. The Nestor Trio Again in a High Speed Comedy Scream, ‘*A MIX-UP AT MAXIN’S."" 980 feet. Released July 1. When Eddie Lyons is in love with ‘‘ Vicky '’ Forde and the deadly rival is Lee Moran, look out for tons of trouble and unlimited laughs. The two suitors come to blows in the restaurant. Diners get mixed with the lovers and there's a frightful mix-up. I M PO R T. ‘A N T Owing to the enormous and unprecedented demand for the advertising novelties for “THE MASTER KEY,” exhibitors are informed that N O T T C E ff unless they give at least a fortnight’s notice their supplies are likely to be * « delayed. Decide on your needs NOW and write oft for them at once to The Publicity Department, TRANS-ATLANTIC FILM Co., Ltd., 37-39, Oxford St., London, W. IT IS WORRY, NOT WORK, THAT KILLS A MAN. OW many tours a week do you spend in endless worry, breaking your head and wearing out your nerves in making up your programme for the coming week? How many needless chances do you take in selecting films? How much energy do you expend in your efforts to balance up your programme so that it won’t be lop-sided, and how often do you fall down after your trouble? You can eliminate a lot of this worry by booking always from the TransAtlantic programme. Every week you will find two-reel subjects which match in strength, beauty or distinction many ALL PRINTS ON “features”? of longer length. Every week you will find comedies that are unapproachable for cleverness and highspeed laugh-making. How is it done? Simply because the Trans-Atlantic, with its mighty organisation, its galaxy of stars, and its huge capacity is in such a favourable position for the production of the supreme in moving pictures. If you are keen for success, continual, constant, unending, week after week, there is but one answer—BOOK FROM THE TRANSATLANTIC PROGRAMME—ALWAYS! EASTMAN _ STOCK. TRANS-ATLANTIC FILM CO., Ltd., Universal House, 37-39, Oxford Street, London, W. Ss UCCESS You Always BooK IS ¥' YOURS. From The Great Mane Atlantic Star Programme Dic gitized by