F. H. Richardson's bluebook of projection (1935)

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THE PROJECTION ROOM 1. Why is the projection room the vital part of the theatre? 2. Upon what does excellence of projection depend ?/^^>^j Good Working Quarters Important, page 247 f 3. Can projectionists do their hest work in badly planned projection rooms? Location, page 247 4. What is an important point in the location of the projection room? . . *+dAcLc**-~***--'> **>■-*. » 5. What should be the limits of projection distance? J^ $1 I 6. Name the objections to too-short or too-long projection distance ? r+\f&rj&+^j>~^^uM,-i 7. Is it sometimes commercially advisable to sacrifice seating* space to avoid a poor projection room location? I Construction Details, page 248 8. Are insurance rates higher if the projection room is faultily planned and constructed? 4XA + 9. Should exhibitors examine into insurance rates and the effect your projection room planning has upon them? 10. Is the old style projection room effective in either fire or sound proofing? 11. Describe one form of projection room wall construction that is now much used. ^Srhjbb 12. Name another excellent building material for projection room walls. ut %. 13. What is it essential to do in connection with hollow tile walls? 14. What kind of finish on both sides should hollow tile walls have? 15. When should conduits be put in place? 242