F. H. Richardson's bluebook of projection (1935)

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THE OPERATION OF SOUND EQUIPMENT Procedure on Taking Charge of a Projection Room, PAGE 626 1. How can a new projectionist obtain information about the details of strange equipment? 2. What detailed information is necessary before equipment can be operated with safety? 3. Why is it necessary to understand the details of the projec tion room wiring? "S^e^-cHi^^fo 4. Why must projection room wiring be charted and tagged? 5. What are inspection forms, and what is their value? 6. What should the projectionist do with regard to inspection forms? Operation Routine Before Starting the Show, page 633 7. What routine is necessary before starting a show, and why? 8. What inspection is usual before starting a show? Operation Routine During the Show, page 634 9. What routine is needed during the show, and why? 10. How far is the projectionist responsible for maintaining proper sound volume? 11. How far is the projectionist responsible for maintaining proper sound quality ? 12. What is one of the most important things in sound projec tion. 13. How does poor sound detract from box office receipts? 14. Whose is the fault where poor sound prevails? 15. What is, in most theatres, the only reliable method of moni toring sound volume? 16. Can the box office results of monitoring be directly checked? 17. What must be qualifications of a sound "observer"? 624 «