The blue book of the screen (1923)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

MABEL NORMAND [ODELS for famous artists have provided the screen with quite a few notable stars. Mabel Normandwas one of these, but needs no words of description for a public which has admired her from early film days to the present time. Miss Normand was born in New York, November 10, back in the nineties. The first thirteen years were passed in the seclusion of St. Mary's convent, at North west Port, Mass. It was all arranged for her to become a nun, she avers. She became an artist model at the flapperish age of 14 years, when her unusual type attracted the attention of Charles Dana Gibson. She first posed for him. Other notable artists soon sought her services, among them being James Montgomery Flagg, Henry Hutt, C. Coles Phillips and Hamilton King. During the time she became the best known model in New York, she formed a strong friendship for another model, Alice Joyce. It was the latter who prompted Miss Normand to enter pictures. She made her first film appearance at the Biograph studio in New York, in August, 1910. Her director was D. W. Griffith. Next she worked for Vitagraph, playing comedy with the famous John Bunny and Flora Finch in the "Betty" series. Returning to Biograph, Miss Normand worked both in comedy and drama, but eventually she headed a comedy unit, playing opposite Sennett, who also directed. Her next contract was with Keystone, with whom the star still plays. In 1917 the actress turned to special features, starring in "Mickey" that same year. She shifted to Goldwyn, making "Sis Hopkins," "The Slim Princess" and others. Returning to Sennett, she played "Molly O" and her most recent Mabel Normand is going through the process of "making-up" with the aid of her hairdresser. Below she is arguing with the Sennet studio mascot. one, ***---L,&^ "Suzanna." V: Mabel Normand, off screen, is a vivacious, intelligent young woman, with more than her share of sympathy for the unfortunate. 191