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ETHEL GREY TERRY
HE story of Ethel Grey Terry's screen career is almost like that of "The Bluebird."
She was born in Oakland, California, but was sent to Roxbury, Mass., where she remained in
Returning to California, Miss Terry found that the motion picture industry had taken hold there and that it was the profession that seemed to suit her taste. So she settled once again in the land of her birth, where she played
Ethel Grey Terry enjoys oittloor life. At the left she is driving her
ear with her two pet Alaskan dogs. (Above) Waiting at the station for the mail train to come in. That was taken up at Truekee. At the right she again exhibits the pedigreed dogs.
Notre Dame
Academy
for seven
years. Dur
ingthattime
she studied
water color
md oil painting. After leaving school she
continued her art work and planned a
career as an artist.
Her plans did not exactly go astray, because she became an artist, but not of the brush and paint order. She first went upon rhe stage.
Her first appearance was in Belasco's production, "The Lily." She remained with that show during its run of two years. At the end of that time she was engaged by the Schuberts. That engagement lasted four years, when Miss Terry went on the road.
Then the wanderlust took her all through the United States, where she played in various stock companies.
lead s in many noted films.
One of her best opportunit i e s was
given her in the first full-length feature that Mack Sennett made. It was a seven-reel melodrama titled "The Crossroads of New York." Miss Terry played the "heavy" role successfully.
Other companies demanded her services and she followed up her first success with leads opposite Edward Horton in "Too Much Business," with Harry Carey in "The Kick-Back," and other noted male stars, such as William Hart, Dustin Farnum, Hobart Bosworth and Lon Chaney.
Among her hobbies are tennis, golf, piano, swimming and her home. But her pet hobby is still painting.
Miss Terry has brown hair and gray eyes. She is five feet tall and wreighs 128 pounds.
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