Boxoffice (Jul-Sep 1940)

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SHORTS REVIEWS ^ — Buyer, Beware M-G-M (Crime Does Not Pay ) 20 Mins. The high average struck by the “Crime Does Not Pay” series is valiantly maintained in “Buyer, Beware,” a melodramatization of another actual crime record, original names and places, of course, concealed. This one tells of mob marauding on wholesale drug warehouses, the sale of the illicit merchandise to the retail drug store and how death to innocent patients, injury to the guilty pharmacists and prison sentences follow for all involved. Produced with all the care accorded the average, or above, feature, this subject is wellhandled and always engrossing. Therefore, it deserves a definite place on any exhibitor’s screen. The Capital City, Washington, D, C. M-G-M (FitzPatrick Traveltalk) 9 Mins. This is excellent. To cover the highlights of Washington in nine minutes of running time could not have been an easy task, yet James A. FitzPatrick emerges in this case with an estimable, well-done job. 'The dignity and the beauty of the city reach out from the screen, emphasized as they are by arresting Technicolor, and the narration is in keeping with these attributes. Good Bad Boys M-G-M (Our Gang Comedy) 11 Miiis. This time, the scamps get the idea a life of crime is the way. Spanky evolves a method of curing them and succeeds. ■ ■ — 'J but not before the youngsters accidentally get mixed up with the real thing. Obviously, it turns out to be a cure-all and the object lesson for the young thereby driven home. Romeo in Rhythm M-G-M (Cartoon) 0 Mins. An acceptable cartoon, but not beyond. Free wheeling is applied to Shakespeare and “Romeo and Juliet,” with plenty of swing peppering the stew. The cartoon work is standard, which reminds that it is not Disney. With emphasis on that score. Please Answer M-G-M (Pete Smith Specialty ) 9 Mins. Clever and extremely well done. This is the third in the I. Q. series, once more asking questions in terms of motion pictures and allowing 10 seconds, sometimes beyond, for the audience to figure out the answers. The Smith brand of humor runs through the texture which is another recommendation in this subject’s favor. Malibu Beach Party Vitaphone {....) (Merrie Melody) 1 Mins. The vogue for making cartoons burlesquing Hollywood and radio personalities is revived here, but not quite as well as past performances of the theme. Jack “Bunny” gives the party and everybody shows up, contributes a gag and then leaves when Mr. Bunny gets out his fiddle. A few gags are good; others too obvious. It has possibilities with the right audience in the right mood. Alakln^ COLUMBIA The Round lip — Bill Elliott, Dub Taylor. Director: Lambert Hillyer. Producer: Leon Barsha. (Startiiiff) (One in a series of westerns featuring Bill Elliott as Wild Bill Hickok). METRO Third Finger, Left Hand — Myrna Loy, Melvyn Douglas, Lee Bowman, Sidney Blackmer, Raymond Walburn, Bonita Granville. Director: Robert Z. Leonard. Producer: John W. Considine jr. Screenplay: Lionel Houser. (Completed) MONOGRAM The Old Swimming Hole — Jackie Moran, Marcia Mae Jones. Director: Robert McGowan. Producer: Scott Dunlap. Original: Gerald Breitigam. Screenplay: Dorothy Reid. (Starting) (Comedy-drama of juvenile life and adventure in a typical small town). Six Shooting Serena<le — Ray Corrigan. .John King, Max Terhune, Rita Conway. Director: Roy Luby. Producer: George Weeks. (Starting) (Second in a series of westerns featuring Corrigan. King and Terhune as “The Range Busters”). PARAMOUNT Sliippherd of the Hills — ^Robert Preston, Betty Field. Harry Carey, James Barton. Director: Henry Hathaway. Producer: William LeBaron; Original: Harold Bell Wright. Screenplay: Frederick Hazlitt Brennan. (Starting) (Outdoor adventure based upon the popular novel by Harold Bell Wright, famed writer of western fiction. It is being filmed in Technicolor). RKO RADIO Mr. and Mrs. Smith — Robert Montgomery, Carole Lombard. Gene Raymond. Director: Alfred Hitchcock. Producer: Harry Edington. Original Screenplay: Norman Krasna. (Starting) (Comedy-drama of domestic life as seen through the eyes of a typical young American married couple). The Fargo Kid — Tim Holt. Jane Drummond. Ray Whitley, Emmett Lynn. Director: Edward Killy. Producer: Bert Gilroy. Original: Bernard McConville. Screenplay: Morton Grant. (Completed) REPUBLIC tvh„ Killed Aunt Maggie? — John Hubbard, Wendy Barrie, Walter Abel. Edgar Kennedy, Willie Best. Director: Arthur Lubin. Producer: A1 Gohen. (Starting) (Murder mystery laid against an Atlanta, Ga., background). .Melody and Moonlight — Johnny Downs. Jerry Colonna. Barbara Jo Allen. Mary Lee. Director: .foseph Santley. Producer: Robert North. Screenplay: Bradford Ropes. (Completed) 20TH CENTURY-FOX Tin l*an Alley — Alice Faye. Jack Oakie. Betty Grablc, John Payne, Allen Jenkins. Director: Walter Lang. Producer: Kenneth Macgowan. Original: Pamela Harris. (Starting) (Musical cavalcade tracing the growth of American song-writing. this will contain excerpts from scores of past bits). — 'William Henry, Dorris Bowdon, Virginia CMlmoie. George Montgomery. Director: David Burton. Producer: Sol Wurtzel. Original: Jane Dberle. (Completed) UNIVERSAL Boss of Bullion City — Johnny Mack Brown. Fuzzy Knight. Nell O’Day, Maria Montez. Director: Ray Taylor. Producer: Joseph G. Sanford. Original Screenplay: Victor McLeod. Arthur St. Claire. (Completed) Flying News — Richard Arlen, Andy Devine. Dorothy Lovett. Jack Arnold. Director: Lew Landers. Producer: Ben Pivar. Original: Sam Robins. Screenplay: Alex Gottlieb. (Cknnpleted) YOUR GRACIOUS HOST FROM COAST TO COAST The Gotham The Drake TheDlachstone Thelouin House vVS?!*. BelleuieuiDiltmore A.S. KIRKEBY/ Managing Director KIRKEBy HOTELS BOXOFFICE : : September 7, 1940 85