Boxoffice (Oct-Dec 1963)

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NEW CONCEPTS IN THEATRE DESIGN Both width and height combine in pleasing design in the new Pine Hollow Theatre, Oyster Bay, N.Y. Drew Eberson was architect for Skouras Theatres. Solar screens of metal or architectural concrete block, lavish use of glass and intriguing lighting effects are notable in today's theatre architecture, as indicated by the photographs on this page. New design trends are interesting, too, because, with the move to shopping center or outlying locations, the very shape of theatres has changed (this, of course, is in reference to indoor theatres). With more ground area available, the familiar, box-like, two or three-story theatre building has spread out on all sides to provide the gracious atmosphere of spaciousness. This is not to say that they are "flat tops," because the buildings are designed with two or more elevations, and many of them are dramatized with pylons which are an integral part of them. Drive-in concessions buildings, due to the nature of the projection system, must be kept low but, as shown below, they can be made more beautiful by the incorporation of a solar screen set at an angle to adjacent plane sides. Dramatic effects were achieved in the Hillside Theatre in the Hillside (III.) Shopping Center. Ro-Bar Amusement Co. is owner, and Liebenberg, Kaplan, Glotter & Associates were the architects. This new 4,800-square-foot concessions building was completed this summer to replace a 2,500-square-foot structure which had become inadequate to serve potrons of the Norfolk (Va.) Drive-In Theatre. The solar screen is of specially designed concrete block of pure white sand. Jack K. Vogel was architect for Fabian Theatres. 20 The MODERN THEATRE SECTION