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TAHT IV. 31
il must he IxH'iic ill niiiid tli;il wc iwc t.-ilkini; ot" lli<* lilnis, positive .-nid ii('i;'.Mt ixc, ;iimI nf iik >1 i( ni-| )irl ii re ;ij)|)Iian('('s .-iiid a } >) rat ns, and not (d* motion pictures as seen in t heaters.
A nioN'ini;" picture or a pietui'e (d' an ol)J('rt in motion in reality consists (d' a hmi; series of consecutive snapshots, or instantaneous ])ictures, tak(Mi ou(* after tlie othei* of tlie ohject the mo\'elueiit of wlucii it is desii'cd to portray. These pictures are recorded at such brief intervals — 16 per second — that in any two consecutive pictures there is no perceptible change in the })osition of tlie object wliich is in motion. The result is that when the series of pictures is thrown rapidly upon a screen by means of a projecting machine the illusion of movement is produced. The eye in reality looks upon a swift succession of instantaneous photographs, but is deceived into believing that it is seeing actual movement.
Persons engaged in trade and conmierce in these appliances may ])e divided into three classes: (1) Mamifacturers of moving picture films, cameras, and projecting or exhibiting machines; (2) rental exchanges doing a wholesale or jobbing business in distributing films and machines to the exhibitors; (3) exhibitors of pictures or theater owners.
Many important factors, besides the character of the camera and projector, enter into the production of a good motion picture. The quality and