British Kinematography (1952)

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38 BRITISH KINEMATOGRAI'HY Vol. 20. No. 2 Fig. 5 An impressionistic design by Hein Heckroth of Act II. water. The bottom was painted with suggestions of palaces and bridges. Paintings on glass of palaces and narrow streets, lit from both front and rear to give luminosity to windows and lamps, were then reflected in the water. Coloured oil pigment on the surface of the water formed into strange designs as the camera tracked the length of the trough, each reflection being wiped out bv rippling the surface of the water on a given musical cue. As Giulietta leaned over the side of a gondola her reflection was seen in the water, and appeared to sing a duet with her. A close-up of her with the background moving in the opposite direction to the main scene and then Fig. 6 A Hill from Act II, which shows how the atmosphere of decadence and lust was conveyed.