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FILM
LARGE MARKET SPONSORS PREFER FILM
NARTB '1956 Film Manual' shows that live programming sponsorship trails in areas of over 500,000 sets but leads on an all-station basis.
MORE tv station film programs are sponsored in markets with 500,000 or more receivers than is the case with live programs, according to the 1956 Film Manual published last week by NARTB. In smaller markets, more live than film programs are sponsored, it is shown, and on an all-station basis, the same trend prevails.
A three-chapter volume covering basic film and program information, the NARTB study offers chapters on programming trends, case histories of film policies and procedures and the use of free films. The survey of programming was analyzed in the manual by Richard M. Allerton, research director. Dan W. Shields, assistant to Tv Vice President Thad H. Brown Jr., edited the manual.
Mr. Brown said the survey, third of an annual series, shows that stations devote over 30% of their time to local film origination. He added that film programming increased from a weekly average 29 hours 24 minutes in 1954 to 32 hours 48 minutes in 1955. The survey is based on data for a typical 1955 week from 45% of the NARTB tv membership, or 26% of all tv stations.
Average weekly operating schedule for the stations was found to total 104 hours 2 minutes, an increase of 5 hours 37 minutes from 1954 to 1955. Network and local film hours have risen slightly but local live hours have declined.
On an all-station basis, the percentage of sponsored film programs increased 3% in a year. Sponsored live programming increased 1%. The percentage of time devoted to all local programming dropped 1%, with local live dropping 2% and local film increasing 1%.
Groups with the smallest and largest number of tv families have highest percentages of film programming. By days, Saturday was found once again to be the day with the heaviest film programming. Sunday was second.
More syndicated films are shown than fea
AVERAGE HOURS OF WEEKLY LOCAL FILM PROGRAMMING BY TYPE OF FILM
Short Subjects Morning Afternoon . Evening . . . Total . . .
Film Produced by Stations
Morning . .
Afternoon .
Evening . . . Total . . .
Avg.
Hrs.
Feature Film
Morning . . .
3.6
Afternoon . .
7.8
Evening
7.2
Total
15.8
Syndicated Film
Morning . . .
1.4
Afternoon . .
2.5
Evening
7.4
Total
10.3
1.1
0.7 1.5 1.8
AVERAGE WEEKLY PRODUCTION COSTS
PROGRAMS
No. tv families Talent in market Costs
Up to 100,000 $ 265
100,000-250,000 283
250,000-500,000 860
500,000-1,000,000 1,378
1,000,000 and over 6,741
TALENT AND OF LOCAL LIVE
Production Costs
$ 600 429 870 774 1,464
ture films, according to the survey, but the feature films occupy more total program hours than any other type of film because they often are two or more times as long as the syndicated types.
All but 2% of stations were found to use syndicated films; 14% did not use short subjects; 55% did not produce any films of their own and 11% did not use free films. Greatest use of film is in the evening (6 p.m. to signoff), according to the survey, with 49% of the showings occurring in this period. On the other hand, it was found that more film is being used in the morning hours than was the case
in 1954. Both live and film programming costs have risen, it was shown.
The manual's chapter on non-rental or fre< film was written by Elaine Phillips, film direc tor of WSPD-TV Toledo, Ohio, and a mem ber of the NARTB Television Film Commit tee. Miss Phillips explains that although free film comprises only 8% of average program ming hours allotted to films, it is the third mosi popular category, with 89% of stations usinj the product. Topics discussed are sources ol free film, acceptance, usage by station and film; for special dates.
The five case histories in the manual ar« based on KCBW-TV Salinas, Calif.; WFMY TV Greensboro, N. C; WKY-TV Oklahoma
AVERAGE HOURS PER WEEK BY TYPE OF PROGRAMMING
No. Tv Families in Market
Up to 100,000 250,000 500,000 1,000,000 100,000 250,000 500,000 1,000,000 and over
Network hours 31:48 53:36 64:48 53:06 59:48
Local hours 47:12 46:48 45:12 57:48 65:18
*Live 14:36 14:42 16:00 21:00 23:18
*Film 32:36 32:06 29:12 36:48 42:00
Total operating hours . 78:20 100:24 110:00 110:54 125:06
* The sum of live plus film hours equals local hours.
All-Station Average
54:54 49:48 17:00 32:48 104:02
AVERAGE WEEKLY COSTS OF FEATURE
FILM COSTS
FILM PROGRAMMING
LIVE TALENT
COSTS Connected With Presentation
PRODUCTION
COSTS Connected With Presentation
A verage
Average
Average
Average
Weekly
Live
Average
Average
Weekly
Film
Live
Talent
Weekly
Production
No. tv families
Film
Cost
Talent
Cost
Production
Cost
in market
Cost
Per Hour
Cost
Per Hour
Cost
Per Hour
Up to 100,000
$ 382
$ 29
$ 51
$11
$116
$16
100,000-250,000
570
39
50
9
136
17
250,000-500,000
858
62
95
21
113
23
500,000-1,000,000
1,516
75
151
26
126
19
1,000,000 and over
3,462
155
252
25
563
56
AVERAGE WEEKLY COSTS OF SYNDICATED FILM PROGRAMMING
FILM COSTS
LIVE TALENT
COSTS Connected With Presentation
PRODUCTION
COSTS Connected With Presentation
Avg.
A verage
Average
Average
Average
Weekly
Live
Average
Average
Hrs.
Weekly
Film
Live
Talent
Weekly
Production
No. tv families
Film
Cost
Talent
Cost
Production
Cost
1.7
in market
Cost
Per Hour
Cost
Per Hour
Cost
Per Hour
2.8
Up to 100,000
$ 926
$ 94
$ 39
$17
$169
$29
1.2
100,000-250,000
923
126
40
20
99
38
4.1
250,000-500,000
1,651
280
73
29
109
55
500,000-1,000,000
2,164
281
91
36
49
19
1,000,000 and over
5,712
571
354
53
510
69
AVERAGE WEEKLY COSTS OF SHORT
FILM COSTS
SUBJECT FILM PROGRAMMING
LIVE TALENT
COSTS Connected With Presentation
PRODUCTION
COSTS Connected With Presentation
Average
Average
Average
Average
Weekly
Live
A verage
Average
Weekly
Film
Live
Talent
Weekly
Production
No. tv families
Film
Cost
Talent
Cost
Production
Cost
in market
Cost
Per Hour
Cost
Per Hour
Cost
Per Hour
Up to 100,000
$ 112
$ 49
$ 85
$45
100,000-250,000
166
49
$ 24
$20
250,000-500,000
217
78
77
43
52
25
500,000-1,000,000
353
74
150
38
102
41
1,000,000 and over
1,061
123
148
55
23
23
Page 68 • August 6, 1956
Broadcasting
Telecasting
a