Broadcasting (Apr - June 1960)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

The CBS Television Network What makes one network better looking than another? And why, in the average nighttime minute, do 1,305,000 more families watch the CBS Television Network than any other? It could be the wildly hilarious satire by Jack Benny and Phil Silvers on Dr. Jekyll and Mr. Hyde that overwhelmed all its opposition one evening last March. It could be a vivid revelation of a crucial issue— like “The Population Explosion” presented twice this winter on CBS reports, each time widely acclaimed. It could be a star-studded, two-hour panorama of an entire decade— like the fabulous fifties in January. It could be the sustained emotional intensity of Julie Harris and Sterling Hayden in last February’s brilliant production of ETHAN FROME. It could be the antics of an incorrigible little boy who strikes a common chord every Sunday night in the hearts of all parents-like dennis the menace. Or it could be the dramatization in May Of THE GAMBLER, THE NUN AND THE radio, the fourth in a series of exciting 90-minute productions of Ernest Hemingway’s greatest stories. Surely these must be some of the reasons why just the difference between our average audience and the next network’s is equal to all families in Los Angeles, Pittsburgh, and Washington ! Despite fanciful claims to the contrary, this is how the networks stand today when you measure all U. S. television families, all sponsored programs from 6 to 11 pm, and all reports for the current year. The best looking network is the one where viewers find the best things to watch— and where advertisers reach the biggest nationwide audiences, for the fifth straight year.