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Filmed with 'on the spot" authenticity were those recent TV commercials featuring sport celebrities for Vaseline Hair Tonic. Pictured in the N.Y. Polo Grounds' locker room during shooting by Sound Masters" crew are (1 to r) SM"s director Wally Worsley; Kyle Rote, pro football star; McCann-Erickson commercial supervisor. Bill Thunhurst; and ad manager Gene Reilly for the sponsor. Cheesebroush Products. ^'
"Crisis in Lindenviile"
T> An important 1958 addition to the National Association of Manufacturers' film library will be Crisis in Lincienvilte, currently being filmed by Henry Strauss Productions. We present a few ""behind the scenes" glimpses . . .
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Above; Siraiiss director Boh Wilinol discusses production progress with NAM film supervisor Robert Oakes (at the right, above).
Left: chief cameraman Bill Sieiner lakes a reflective look between "lakes" on the "Crisis" .set where ^ lilm is neuring completion.
dramatic moment during filming of "Crisis in Lindenviile"
Business Screeti Camera Report:
ON the MAKE
Visual Review from "Behind the Production Lines" Shows fhe New Films and Commercials; the Men Who Help Make 'Em
i? To keep our readers posted on studio developments, previewing the latest in forthcoming pictures and tv commercials. Business Screen eastern editor Bob Seymour lensed these widely-varied Manhattan glimpses from the Polo Grounds to the mid-town 40's, inaugurating an important and lively new editorial feature for these pages. g'
Photographic crews on these productions are members of Local 644 (lATSE) of New York City.
Animating for Texaco
■ The Te.xas Company has a long and laudable record as a film sponsor, listing numerous credits, including a widely-used Farm Film Series and many technical motion pictures.
Keeping pace with current progress in automotive engineering via vivid education on new fuels and lubrication products is the task assigned a technical animation film being made by Audio Productions, Inc.
These "on the make" glimpses afford some idea of the precise care which goes into each detail for an animation sequence, particularly one dealinc with eneineerinc.
Above: .-itidio v. p. Herman Roessle inspects a technical animation drawing for new Te.xas Co. film.
Left
With infinite attention to vital detail, the animator works up a sequence for new Texaco technical film at Audio, N.Y.
Right
Laying in engine parts as sequence for Texaco film takes final shape on drawing boards . . .
BUSINESS SCREEN MAGAZINE
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