Business Screen Magazine (1965-1966)

i n(> sailx on "Bay of Cold" inri>«'«*s Seafarers ories in "Hay of Gold" of San Francisco Bay toyachtsmen. Coast Guardsib fishermen, harbor pilots. ' sailors in the last comwhaling fleet in the United — are sho\\n at work and e. each telling what his life 1 a new film. Bay of Gold. lilable to 16mm audiences MiKlern Talking Picture film ends with a brief sestating simply that 75 per the Bay is less than 20 p and rapidly being filled. iver is left to draw his own ons about the future of I natural resource. if Gold. 35-minutes. color. ten by Harold Gilliam and idelson. The film was proI Mr, Mendelson and sponV Fireman's Fund Anieriirance companies as a pubce venture. There arc no cial overtones for the sponle film, other than a screen before its first public . Bay of Gold has been ed as the winner of a CINE Golden Eagle Award and will be shown before worldwide audiences at film festivals. • * • * KaIl^l^^l^^;'s Film "(Mose-Up" of \\ aKt«'-Saviiip Spray >lelho«l Does paint spray really turn corners when you add electrostatic control of stop waste? A motion picture cameraman, working with a close-up lens, "rode" through a complete production painting loop to capture the answer in a new color film Camera setup for Ransburg'.'i film. sponsored by Ransburg ElectroCoating Corp., of Indianapolis. Ind. The film was produced by The Film-Makers. a Chicago studio, for Caldwell, l.arkin & Sidcner-Van Riper. Inc., the sponsor's ad agency. Riding inches away from a variety of small parts as they were painted, the camera records what appears to be complete spray control. Where conventional spray equipment would have "blown"' enough over-spray waste past parts being covered to saturate the lens in a few feet, the Ransburg electrostatic equipment confined its spray of bright green paint to the actual parts. Application of the coating process is shown in 2S actual case histories, demonstrating in a scries of close-ups exactly how a wide range of manufacturers have eliminated waste in production-line painting. In addition to U. S. showings, prints have been made in overseas versions for Irench, Spanish. German and Japanese showings. • (ias Industry's 150tli Year Pietiire to Craven Film Corp. •• A new film which will be a part of the American gas industry's commemoration of its 1 50th anniversary in 1966 has been commissioned to the Thomas Craven Film Corporation, of New York. The sesquicentennial film will deal with the industry as a dynamic, growing business, with emphasis on the present and future rather than on historical events. Awarded following competitive presentations, the film has a nationwide shooting schedule that is presently under development by the project production manager at Craven. Willis 1-. Briley. • Usiiijima Baek from Seolland W ilh Scenes for Vi alker F"ilm • Film producer Henry Ushijima, head of Ushijima Films. Park Ridge, 111. has completed shooting abroad of a new Hiram Walkersponsored color motion picture. Herliai;e of Thorites. His film seciuences cover 3.300 miles of Scotland's highlands, lowlands, central section. Outer Hebrides and Shetland Islands. • E SALESMAN ISN'T DEAD -HE'S DIFFERENT Presented by FORTUNE FILMS — A Department of Fortune Magazine in cooperation with International Business Machines Corp. Produced by DYNAMIC FILMS, Inc. minute. 16 mm., black and white film. Based on the article by the same name in FORTUNE. Reveals a breed of U.S. salesman, how he functions, why he is Indeed different from the old-fashioned conception. PRINTS ARE AVAILABLE AT $125 EACH FOR IMMEDIATE DELIVERY FROM DYNAMIC FILMS, INC., 405 PARK AVENUE, N. Y., N. Y. 10022 CHAPPELL MUSIC KOK ALL MOODS CHAPPELL * LIBRARY Completely catalogued with cross references for quick and easy selection. Most comprehensive recorded music library in the world. Available on 78 rpm discs, W tape, magnetic film. Educational Institutions given special consideration. SEND FOR CATALOGUE MusiCues 117 West 46th Street New York, N.Y. 10036 Phone: 212 PL 7-3641 SOLE REPRESENTATIVES IN U.S.A. AND LATIN AMERICA R 5 • VOLUME 26 • 1965