Business Screen Magazine (1965-1966)

Jiiiini> Clark ilifl), last yearn auto raiinti clunnitioii. ricrhrd a perxoiKiI priut of "Tlw 1965 Indianapolis 5(K)" film from producer Xat y.uckir diiriiifi recent premiere of till off.eial film of the Indianapolis Motor Speedtcaij. Dynamic Premieres Official Film of "Indianapolis 500" Aulo Race t lyfi.S Indiaiuipolis 500. the official motion picture of the annual auto classic, was premiered at a press reception at Toots Shor's in New York at year-end. Guest of honor was Jimmy Clark, international world's champion driver this year, and winner at Indy in his Lotus-Ford. The color film. 28'/->. minutes in length, shows much of the distinct personality of the race — always one of the biggest sports shows in the world. This year marks the end of an era — the small rear-engined Ford-powered cars finally overtaking the Offen hauser roadsters which had dominated American racing for so U>ng. the iy6.S film, uhich will be used officially by the Indianapolis .Motor Speedway, was produced, as have many of the great racing films of the past decade, by Dynamic Films. Inc.. New York. This year's Indy film will again be sponsored by several leading automotive parts manufacturers. • Kodak 8mm Sound Film Shows Draftsmen the Benefits of Estar •k Where Do You Draw the Line.' is a new sales promotional film designed for audiences of draftsmen. It is sponsored hy Eastman Kodak and is intended for point of sale use on portable 8mm sound projectors. Kodak's Estar-based drafting materials are a radical improvement over the papers commonly used. But draftsmen are a touchy lot of craftsmen. They are used to paper and it is hard to change their ways. The film faces up to all possible negatives that might pop up in draftsmen's minds — hard to draw on? Hard to erase? Easy to smudge? Difficult to clean up?, etc. This honest approach and the straightforward answers supplied should do a lot to overcome natural prejudices. H here Do Y'oti Draw the Line? was produced for Kodak by Willard Pictures. Inc.. New York. • Goodyear's "American Challenge" Shows Daylona and Sebring Races America's smashin'i '•ports car victories in the iy65 Daytona Continental and 12 Hours of Sebring are colorfully portrayed in a new film announced by The Goodyear Tire &. Rubber Company. The film. The American Challenfie. chronicles the successes scored by the Ford GT Prototype and Carroll Shelby's Cobras at Daytona Beach and Sebring and the unexpected first-place finish of Jim Hall's unconventional Chaparral at Sebring. In the two big races, American entries routed both European drivers and equipment and made deep inroads in the Grand Prix racing class long dominated by the Europeans. Fords and Cobras swept the first five places in the Continental and won the grand touring prototype and grand touring classes at Sebring behind the Chaparral. The action-packed Sebring race was deluged during its final hours with a Florida rainstorm that put parts of the track and pit areas under water. That portion of the film records some of the most exciting scenes ever seen in an auto race. Running time for the 16mm film in full color is 28 minutes. It is available on a loan basis without charge to interested clubs and organizations and may be ordered IN FLORIDA... creative productions complete producers services studio soundrecording animation — graphic arts still photography editing— titling complete laboratory complete mobile video tape unit with 6 camera chains VTR transfer REELA FILMS, INC. A DlVISIufi vl rtoWUCu IMlKHKIbtS. ir.c 17 N.W. Third St., Miami, Florida Phone: FR 4-2108 WRITE fOR rR[[ CATALOG for showing on a spcV,? writing the .Audio-Vi;. mcnt, The Goodyear tjj ber Company. Al,i^ 44316. * » "Anatomy of an ExpiiggDepicts Preventive Meurp ... Based on the fact i^' . sions are not instaniicnew film. Anatomy < sion. shows how poii.,„ sions can be detected id ■ out before they cause The 1 8-minute color • able for free-loan use uli and adult organizatii •" Association Films. In^ sored by Fenwal. Inc.. A4 Mass. Using high speed citm film illustrates how ancta plosion takes place, fro itit of ignition to the final :toii It then explores the hih i tive detection equipnii. (kg acts to conditions of ^nbi such as sudden ehaniii.' pit or heat, and autoni presses them in the iiu . in .5. 10 and 20 thouv:i second. The various tvpes oiniii systems that arc tail' industrial processes .r in manufacturing seq ing from a starch cor chemical plant. i ' I Charles Beckett Crcii on the Art of Studio Lpu -t Charles Beckett, oncf wood's top directors has scripted. superviM-.a rected a soon-to-bc-rck* ^in the art of studio ligUI film concentrates on J placement of key light. I fill and kicker lights, pna tion of back or hair \k\i ratio between key and til Both filming and dr will be handled by Dclii Inc.. 1661 N. Western' Hollywood. California "^j • * • j Fortune's "Salesman" F' Available for Video Sh •>■ The 21 -minute Fortu The Salesman Isn't Detu. Different, is being made for public service sho\ television stations. Mad operation with Internatio ness Machines Corp. bv Films. Inc.. the film sh today's salesman works ii ciimpetitive market, how sell service as well as pr Prints are available fr ciation Telefilms lineal Ii 24 BUSINESS