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RUSSIA NARROWS FILM GAP:
(CONTINLED FROM THE PRECnDING PAGE 57)
set design, art direction, musical scoring, editing and photography is covered by a wide range of courses.
The U. S. film industry lacks comparable training facilities and curricula in the motion picture and television sciences and this should be the basis of a crash program, Jeffee believes,
"If we ignore the film equipment 'sputniks' that our delegation saw and do not rise above the lethargy that surrounds our own research and training plans, .American initiative will be overshadowed by dramatic developments abroad."
$25,000 Gnint to SMPTE Scholarships
Jcffcc is not only talking about the need for training programs; he is doing something about it. On his return from the USSR. Movielab made the first contribution of $25,000 to launch the scholarship program of the Society of Motion Picture and Television Engineers (SMPTE) for undergraduate degree programs in the photographic and television sciences. Additional contributions are expected in the near future to broaden this SMPTE educational pri)gram. First college selected is Rochester Institute of Technology. Other universities are now being considered.
The Movielab executive also referred to a program now under way in New York ("ity in which he is taking a leading role ti> formulate vocational school programs for the primary training of film handlers and for upgrading low le\el technicians during the course of their employment. Discussions have already been held with the New York City Board of Education and the state's Office of Manpower Development operating in conjunction with the federal government.
Charts Courses for Expanding U.S. Effort
"There is nothing wrong with our educational system and its capacity to produce results in competition with totalitarian methods once the wheels arc set in motion and a direction is charted particularly with the federal, state and local governments evidencing a readiness to participate in such programs." Jeffee stated.
Additional ways of intensifying L'. S. development and research programs were enumerated by leffee. He suggested that a portion of the federal funds earmarked for the establishment of an American Film Institute be allocated to technical research projects in film and television sciences. The SMPTE would be a logical organization through which to funnel this project, he added.
Urging all branches of the industry to further the effort. Jeffee stated that the unions were in a unique [xisition to get behind the concept by actively participating in the technical training programs and by helping actively in the preparation of technical curricula. He also referred to the positive benefits derived from the all-industry Motion Picture Research Council prematurely shelved because of discontinued financial support. The Movielab president concluded with a recommendation ftir reactivation of an all-industry research project on a national basis through the SMPTE as a step in the right direction toward national progress. •
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