Business Screen Magazine (1965-1966)

1 /irocc.siiNg, f/it' film and Us work onhr arc di'livcnd to the n tables uhcrr motion picture film is cut to match order, canned. and routed on to Production Control for distribution. D«ri;ig peak I, three film technicians are kept bu.sy matching /./his to orders. rly delivers chemical samples I nsimetric charts to the Eastn'-loiiak Company for testing inmendations. The Spacc .nter"s proccssinu quality ;i consistently rated on the ni level as that of the film •-• ciurcr. important to stress that c no secrets, no special for chemicals or other II i^ks' in our film handling," ■>i>outhard. "MSC mixes pre -)fr unit mounted atop color tisor was amonfi modifications i^to handle thin base color film i>. Vsinii uonuiu's hair dryer. iat and metal flexible tubinn, technicians solved problem of 7, underside of thin base film. rjiged Kodak chemicals and 'I right by the book in using * We feel that any indepcni laboratory could get top a;s by doing the same as we stick to manufacturer inions and always be on the 'for trouble spots." ijul Handling to a Minimum jiemicals are only half the |; according to Southard; the jth operation of equipment (technicians is the other half, oo many cooks spoil the I," is an old adage Holland considers worthwhile when processing flight film. To cut handling down to a minimum, one technician and one assistant are assigned to follow in-coming Gemini material each time a launch is scheduled. Routines are practiced over and over again by these already skilled men — the average MSC technician has between 15 and 25 years of experience. Stock is fed through the processor and sensimctric graphs are are made on the results; chemicals are tested as to PH. specific gravity, total alkalinity and other factors, and sample strips of film are examined for waterspots and scratches."" "It could take as long as 20 hours to develop flight film,'" says Southard. ""Even after preparing (CONTINUED ON PAGE 70) Chemical analysis of all material used in MSC's photographic laboratory "heads off" possible trouble in process-in/i. Terry Slezitk, quality control a.s.^stant. checks samples for ril in the quality lab. Front the pioneers of rearscreen projection Advanced audio-visual fiim projection systems SLIDES BUSCH Cine-Slide Projectors have many special features, including: Big 14" < 14" built-in Daylight Screen; 80slide capacity; automatic or manual operation with Kodak Carousel projector. Available with or without sound un.t. The Busch Cne-Slide Projector is versatile, dependable, portable and ..ghtweight 16 MM BUSCH Cinesalesman self-contained, continuous 16mm projecton ire dependable, portable, verutilc Available in yariety ol models to aect aair requ.remcnt lor continuous or rear-screen projection. Unit has 20 jrears of proven performance with many patented, eiclu sive features lound only on world-famous Busch Cinesalesman projecto.'s. ■\ ■«! BIG SCREEN The Big Screen 16mm continuous BUSCH Cine-Educator Projector Is dependable, self contained, mobile and beautifully finished in Walnut Formica. Special features are: pusfi-button start; automatic cycling stop; auxiliary cooling system, and high-quality sound. Heavy-duty projector units with many exclusive features. Tfiis unit can also be supplied with Slide Projector in place of the 16mm Projector. SPECIAL UNITS We have 25 years of experience in the design and manufacture of complete Audio-Visual systems for schools, business and government. We can engineer and manufacture any requirement you may have for Special Projection devices or systems such as multi screen projection systems, synchronized projection, complete remote con trol or projectors and many others. WRITE OR CALL FOR COMPLETE DETAILS: BUSCH FILM AND EQUIPMENT CO. 214 S. HAMILTON ST. SAGINAW, /MICHIGAN MBER 4 • VOLUME 27 55