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Lib I lie Venice Festival Repor '
IN Retrospect, this 7th International dustrial Film Festival upheld most of traditions of its predecessors (both gocxl bad.) The prize-winning films were wir of widespread international distribution; oil that failed to win prizes, notably the John Wax picture. To Be Alive! had excellent ;i. enees and came to the attention of imponi delegations.
Press coverage was excellent, with li,. Iiapers in the majority, as might be expc. but with key men and women out of Brn France, Germany and other countries in tendance. One of the largest delegations at Festival, incidentally, came from Great Brii,
This event would achieve true worldwj significance if its sponsors (CIFE) chai to widen their horizons and invite such coii tries as Australia, Canada and Japan, amc^ " other notable industrial film areas, to parti ■ nate. The single IJ. S. vote given delegate^ that country was little enough reward for numerous entries and the cost of travel volvcd. Festival sponsors rightly believe tbr must hold the reins of this event but voti|:. on the films is a minimum reward for eaitr national delegation to receive and this evu ; will not merit '"international" status until fil: from all over the world are invited to enter : competition. ;
A closing word would add another lau' '. to The Hare and the Tortoise prize hono The promotional "map-folder"" issued to pi. ; licize this amusing and eye-filling picture w :. one of the best we've ever seen! The stc behind this film is yet to be told in an ear: subsequent issue of this international joum
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In the picture panel, lop to bottom
A galaxy of Festival jurors and delegates <i '■ pictured in our "Venice Album" scenes at U licfiinninfi at top, there's Sweden's Arne Lun iiiiirk (at left) and. at the n"f,'/if. that's Kr Hlaauic. of Holland's Teehnie<d hihn Centn Xexl lop scene includes Erik \Vitt<' of Dowui and Erik llcinuinn Olscn. p.r. niana<:cr of I i'cdcralion <rf Danish Industries. At the extra: left in same photo is Ihiiih Wickhum. of SK International in London. The Cerman deleggtii is in next scene (.second from top. at left): I lluiio Kilter, of the German Federation of Indl Inj is at ihe exirenu rifzht. The adiaccni scei has J. Michael Shcrshy. of Ihilain and form head of the lirili.sh Induslrial Fdm .\ssocioti> ill center. Third from top. tee nteet Friwn Liilanfiu. of the Repu]>lic of the Coniio. u» (Vl Coelln. publisher of Business Screen (tt Don Lloijd. European representative of Modei ■ TalkiiitJ. Picture Siriice. ]. Ilattuin. talcntt Dull h film maker is chattiiifi uilh a ^ood frien Karl Lowlier, head of the films' section of ll ( '. /■.'. C. D. in scene at the rifiht. Fourth .tcei from top has Sven llaUonsten at the riuht. lU key man in Sieeden's Council for Persoitnil ^' ininislration. .\nd in the next .teene, Brian of the Miilland Banks in Britain is man in a rm Producer llatlum chats with Mr. ami Mrs. /o/i ('hiltock (correspondent and film critic on lion's uidely-rcad Financial Time's). Thi Wittcs are at rifihl in (iroup in the Palazzo u> (.'inema. And two bottom scenes prove thai jiirC' and delegates were very attentive at Feslia screi'ninss in the Palazzo del Cinema.
BUSINESS SCREEN • 19*